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https://w.atwiki.jp/oper/pages/845.html
ACT ONE 1. Overture Scene 1 (An Epinicion or Song of Triumph, for the victory over Goliath and the Philistines) 2a. ISRAELITES How excellent Thy name, O Lord, In all the world is known! Above all Heav ns, O King ador d, How hast Thou set Thy glorious throne! 3. Air SOPRANO An infant rais d by Thy command, To quell Thy rebel foes, Could fierce Goliath s dreadful hand Superior in the fight oppose. 4. Trio Along the monster atheist strode, With more than human pride, And armies of the living God Exulting in his strength defied. 5. ISRAELITES The youth inspir d by Thee, O Lord, With ease the boaster slew Our fainting courage soon restor d, And headlong drove that impious crew. 2b. ISRAELITES How excellent Thy name, O Lord, In all the world is known! Above all Heavn s, O King ador d, How hast thou set Thy glorious throne! Hallelujah! Scene 2 (Saul, Jonathan, Merab, Michal and Abner, introducing David and the High Priest) 6. Recitative MICHAL He comes, he comes! 7. Air MICHAL O godlike youth, by all confess d Of human race the pride! O virgin among women blest, Whom Heav n ordains thy bride! But ah, how strong a bar I see Betwixt my happiness and me! O godlike youth... (da capo) 8. Recitative ABNER Behold, O king, the brave, victorious youth, And in his hand the haughty giant s head. SAUL Young man, whose son art thou? DAVID The son of Jesse, Thy faithful servant, and a Bethlemite. SAUL Return no more to Jesse; stay with me; And as an earnest of my future favour, Thou shalt espouse my daughter small reward Of such desert, since to thy arm alone We owe our safety, peace and liberty. 9. Air DAVID O king, your favours with delight I take, but must refuse your praise For every pious Israelite To God that tribute pays. Through Him we put to flight our foes, And in His name, We trod them under that against us rose. O king... ( da capo) 10. Recitative JONATHAN Oh, early piety! Oh, modest merit! In this embrace my heart bestows itself; Henceforth, thou noble youth, accept my friendship, And Jonathan and David are but one. 11. Air MERAB (aside) What abject thoughts a prince can have! In rank a prince, in mind a slave. 12. Recitative MERAB (aside, to Jonathan) Yet think on whom this honour you bestow; How poor in fortune, and in birth how low! 13. Air JONATHAN Birth and fortune I despise! From virtue let my friendship rise. (To David) No titles proud thy stem adorn, Yet born of God is nobly born, And of His gifts so rich thy store, That Ophir to thy wealth is poor. Birth and fortune... (da capo) 14. Recitative HIGH PRIEST Go on, illustrious pair! Your great example Shall teach your youth to scorn the sordid world and set their hearts on things of real worth. 15. Air HIGH PRIEST While yet thy tide of blood runs high, To God thy future life devote; Thy early vigour all apply, His glorious service to promote. So shall thy great Creator bless, And bid thy days serenely flow So shall thy youthful happiness In age no diminution know. With sweet reflections thou shalt taste, Declining gently to thy tomb, The pleasure of good actions past, And hope with rapture joys to come. 16. Recitative SAUL Thou, Merab, first in birth, be first in honour Thine be the valiant youth, whose arm has sav d Thy country from her foes. MERAB (aside) Oh, mean alliance! 17. Air MERAB My soul rejects the thought with scorn, That such a boy, till now unknown, Of poor plebeian parents born, Should mix with royal blood his own! Though Saul s command I can t decline, I must prevent his low design, And save the honour of his line. 18. Air MICHAL (aside) See, with what a scornful air She the precious gift receives! Though e er so noble, or so fair, She cannot merit what he gives. 19. Air MICHAL Ah, lovely youth, wast thou design d With that proud beauty to be joined? 20. Symphony 21. Recitative MICHAL Already see the daughters of the land, In joyful dance, with instruments of music, Come to congratulate your victory. Scene 3 (Saul, Michal, Chorus) 22. ISRAELITES Welcome, welcome, mighty king! Welcome all who conquest bring! Welcome David, warlike boy, Author of our present joy! Saul, who hast thy thousands slain, Welcome to thy friends again! David his ten thousands slew, Ten thousand praises are his due! 23. Accompagnato SAUL What do I hear? Am I then sunk so low, To have this upstart boy preferr d before me? 24. ISRAELITES David his ten thousands slew, Ten thousand praises are his due! 25. Accompagnato SAUL To him ten thousands, and to me but thousands! What can they give him more, except the kingdom? 26. Air SAUL With rage I shall burst his praises to hear! Oh, how I both hate the stripling, and fear! What mortal a rival in glory can bear? (Exit) Scene 4 27. Recitative JONATHAN Imprudent women! Your ill-timed comparisons, I fear, have injured him you meant to honour. Saul s furious look, as he departed hence, Too plainly shew d the tempest of his soul. MICHAL (to David) Tis but his old disease, which thou canst cure Oh, take thy harp, and as thou oft hast done, From the king s breast expel the raging fiend, And sooth his tortur d soul with sounds divine. 28. Air MICHAL Fell rage and black despair possess d With horrid sway the monarch s breast; When David with celestial fire Struck the sweet persuasive lyre Soft gliding down his ravish d ears, The healing sounds dispel his cares; Despair and rage at once are gone, And peace and hope resume the throne. 29. Recitative HIGH PRIEST This but the smallest part of harmony, Great attribute of attributes divine, And centre of the rest, where all agree Whose wondrous force what great effects proclaim! 30. Accompagnato HIGH PRIEST By Thee this universal frame From its Almighty Maker s han In primitive perfection came, By Thee produc d, in thee contain d No sooner did th eternal word dispense Thy vast mysterious influence, Than chaos his old discord ceas d. Nature began, of labour eas d, Her latent beauties to disclose, A fair harmonious world arose; And though, by diabolic guile, Disorder lord it for a while, The time will come, When nature shall her pristine form regain, And harmony for ever reign. Scene 5 (Saul, David, Jonathan, Merab, Michal, Abner, High Priest) 31. Recitative ABNER Racked with infernal pains, ev n now the king Comes forth, and mutters horrid words, which hell, No human tongue, has taught him. 32. Air DAVID O Lord, whose mercies numberless O er all thy works prevail Though daily man Thy law transgress, Thy patience cannot fail. If yet his sin be not too great, The busy fiend control; Yet longer for repentance wait, And heal his wounded soul. 33. Symphony 34. Recitative JONATHAN Tis all in vain; his fury still continues With wild distraction on my friend he stares, Stamps on the ground, and seems intent on mischief. 35. Air SAUL A serpent, in my bosom warm d, Would sting me to the heart But of his venom soon disarm d, Himself shall feel the smart. Ambitious boy! Now learn what danger It is to rouse a monarch s anger! (He throws his javelin. Exit David. ) 36. Recitative SAUL Has he escap d my rage? I charge thee, Jonathan, upon thy duty, And all, on your allegiance, to destroy This bold, aspiring youth; for while he lives, I am not safe. Reply not, but obey. 37. Air MERAB Capricious man, in humour lost, By ev ry wind of passion toss d! Now sets his vassal on the throne, Then low as earth he casts him down! His temper knows no middle state, Extreme alike in love or hate. Scene 6 38. Accompagnato JONATHAN O filial piety! O sacred friendship! How shall I reconcile you? Cruel father! Your just commands I always have obeyed But to destroy my friend, the brave, the virtuous, The godlike David, Israel s defender, And terror of her foes! To disobey you - What shall I call it? Tis an act of duty To God, to David - nay, indeed, to you. 39. Air JONATHAN No, cruel father, no! Your hard commands I can t obey. Shall I with sacrilegious blow Take pious David s life away? No, cruel father, no! No, with my life I must defend Against the world my best, my dearest friend. 40. Air HIGH PRIEST O Lord, whose providence Ever wakes for their defence Who the ways of virtue choose Let not thy faithful servant fall A victim to the rage of Saul Who hates without a cause, And, in defiance of thy laws, His precious life pursues. 41. CHORUS Preserve him for the glory of Thy name, Thy people s safety, and the heathen s shame. ACT ONE 1. Overture Scene 1 (An Epinicion or Song of Triumph, for the victory over Goliath and the Philistines) 2a. ISRAELITES How excellent Thy name, O Lord, In all the world is known! Above all Heav ns, O King ador d, How hast Thou set Thy glorious throne! 3. Air SOPRANO An infant rais d by Thy command, To quell Thy rebel foes, Could fierce Goliath s dreadful hand Superior in the fight oppose. 4. Trio Along the monster atheist strode, With more than human pride, And armies of the living God Exulting in his strength defied. 5. ISRAELITES The youth inspir d by Thee, O Lord, With ease the boaster slew Our fainting courage soon restor d, And headlong drove that impious crew. 2b. ISRAELITES How excellent Thy name, O Lord, In all the world is known! Above all Heavn s, O King ador d, How hast thou set Thy glorious throne! Hallelujah! Scene 2 (Saul, Jonathan, Merab, Michal and Abner, introducing David and the High Priest) 6. Recitative MICHAL He comes, he comes! 7. Air MICHAL O godlike youth, by all confess d Of human race the pride! O virgin among women blest, Whom Heav n ordains thy bride! But ah, how strong a bar I see Betwixt my happiness and me! O godlike youth... (da capo) 8. Recitative ABNER Behold, O king, the brave, victorious youth, And in his hand the haughty giant s head. SAUL Young man, whose son art thou? DAVID The son of Jesse, Thy faithful servant, and a Bethlemite. SAUL Return no more to Jesse; stay with me; And as an earnest of my future favour, Thou shalt espouse my daughter small reward Of such desert, since to thy arm alone We owe our safety, peace and liberty. 9. Air DAVID O king, your favours with delight I take, but must refuse your praise For every pious Israelite To God that tribute pays. Through Him we put to flight our foes, And in His name, We trod them under that against us rose. O king... ( da capo) 10. Recitative JONATHAN Oh, early piety! Oh, modest merit! In this embrace my heart bestows itself; Henceforth, thou noble youth, accept my friendship, And Jonathan and David are but one. 11. Air MERAB (aside) What abject thoughts a prince can have! In rank a prince, in mind a slave. 12. Recitative MERAB (aside, to Jonathan) Yet think on whom this honour you bestow; How poor in fortune, and in birth how low! 13. Air JONATHAN Birth and fortune I despise! From virtue let my friendship rise. (To David) No titles proud thy stem adorn, Yet born of God is nobly born, And of His gifts so rich thy store, That Ophir to thy wealth is poor. Birth and fortune... (da capo) 14. Recitative HIGH PRIEST Go on, illustrious pair! Your great example Shall teach your youth to scorn the sordid world and set their hearts on things of real worth. 15. Air HIGH PRIEST While yet thy tide of blood runs high, To God thy future life devote; Thy early vigour all apply, His glorious service to promote. So shall thy great Creator bless, And bid thy days serenely flow So shall thy youthful happiness In age no diminution know. With sweet reflections thou shalt taste, Declining gently to thy tomb, The pleasure of good actions past, And hope with rapture joys to come. 16. Recitative SAUL Thou, Merab, first in birth, be first in honour Thine be the valiant youth, whose arm has sav d Thy country from her foes. MERAB (aside) Oh, mean alliance! 17. Air MERAB My soul rejects the thought with scorn, That such a boy, till now unknown, Of poor plebeian parents born, Should mix with royal blood his own! Though Saul s command I can t decline, I must prevent his low design, And save the honour of his line. 18. Air MICHAL (aside) See, with what a scornful air She the precious gift receives! Though e er so noble, or so fair, She cannot merit what he gives. 19. Air MICHAL Ah, lovely youth, wast thou design d With that proud beauty to be joined? 20. Symphony 21. Recitative MICHAL Already see the daughters of the land, In joyful dance, with instruments of music, Come to congratulate your victory. Scene 3 (Saul, Michal, Chorus) 22. ISRAELITES Welcome, welcome, mighty king! Welcome all who conquest bring! Welcome David, warlike boy, Author of our present joy! Saul, who hast thy thousands slain, Welcome to thy friends again! David his ten thousands slew, Ten thousand praises are his due! 23. Accompagnato SAUL What do I hear? Am I then sunk so low, To have this upstart boy preferr d before me? 24. ISRAELITES David his ten thousands slew, Ten thousand praises are his due! 25. Accompagnato SAUL To him ten thousands, and to me but thousands! What can they give him more, except the kingdom? 26. Air SAUL With rage I shall burst his praises to hear! Oh, how I both hate the stripling, and fear! What mortal a rival in glory can bear? (Exit) Scene 4 27. Recitative JONATHAN Imprudent women! Your ill-timed comparisons, I fear, have injured him you meant to honour. Saul s furious look, as he departed hence, Too plainly shew d the tempest of his soul. MICHAL (to David) Tis but his old disease, which thou canst cure Oh, take thy harp, and as thou oft hast done, From the king s breast expel the raging fiend, And sooth his tortur d soul with sounds divine. 28. Air MICHAL Fell rage and black despair possess d With horrid sway the monarch s breast; When David with celestial fire Struck the sweet persuasive lyre Soft gliding down his ravish d ears, The healing sounds dispel his cares; Despair and rage at once are gone, And peace and hope resume the throne. 29. Recitative HIGH PRIEST This but the smallest part of harmony, Great attribute of attributes divine, And centre of the rest, where all agree Whose wondrous force what great effects proclaim! 30. Accompagnato HIGH PRIEST By Thee this universal frame From its Almighty Maker s han In primitive perfection came, By Thee produc d, in thee contain d No sooner did th eternal word dispense Thy vast mysterious influence, Than chaos his old discord ceas d. Nature began, of labour eas d, Her latent beauties to disclose, A fair harmonious world arose; And though, by diabolic guile, Disorder lord it for a while, The time will come, When nature shall her pristine form regain, And harmony for ever reign. Scene 5 (Saul, David, Jonathan, Merab, Michal, Abner, High Priest) 31. Recitative ABNER Racked with infernal pains, ev n now the king Comes forth, and mutters horrid words, which hell, No human tongue, has taught him. 32. Air DAVID O Lord, whose mercies numberless O er all thy works prevail Though daily man Thy law transgress, Thy patience cannot fail. If yet his sin be not too great, The busy fiend control; Yet longer for repentance wait, And heal his wounded soul. 33. Symphony 34. Recitative JONATHAN Tis all in vain; his fury still continues With wild distraction on my friend he stares, Stamps on the ground, and seems intent on mischief. 35. Air SAUL A serpent, in my bosom warm d, Would sting me to the heart But of his venom soon disarm d, Himself shall feel the smart. Ambitious boy! Now learn what danger It is to rouse a monarch s anger! (He throws his javelin. Exit David. ) 36. Recitative SAUL Has he escap d my rage? I charge thee, Jonathan, upon thy duty, And all, on your allegiance, to destroy This bold, aspiring youth; for while he lives, I am not safe. Reply not, but obey. 37. Air MERAB Capricious man, in humour lost, By ev ry wind of passion toss d! Now sets his vassal on the throne, Then low as earth he casts him down! His temper knows no middle state, Extreme alike in love or hate. Scene 6 38. Accompagnato JONATHAN O filial piety! O sacred friendship! How shall I reconcile you? Cruel father! Your just commands I always have obeyed But to destroy my friend, the brave, the virtuous, The godlike David, Israel s defender, And terror of her foes! To disobey you - What shall I call it? Tis an act of duty To God, to David - nay, indeed, to you. 39. Air JONATHAN No, cruel father, no! Your hard commands I can t obey. Shall I with sacrilegious blow Take pious David s life away? No, cruel father, no! No, with my life I must defend Against the world my best, my dearest friend. 40. Air HIGH PRIEST O Lord, whose providence Ever wakes for their defence Who the ways of virtue choose Let not thy faithful servant fall A victim to the rage of Saul Who hates without a cause, And, in defiance of thy laws, His precious life pursues. 41. CHORUS Preserve him for the glory of Thy name, Thy people s safety, and the heathen s shame. Handel,George Frideric/Saul/II
https://w.atwiki.jp/mainichi-matome/pages/6918.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese' behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳(の疑い)を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Churlish Chinese chided for chundering on chagrined Japan田舎じみた中国人、悔しがる日本に吐いたことでたしなめられる 参考資料 拡散状況 関連ページ Churlish Chinese chided for chundering on chagrined Japan 田舎じみた中国人、悔しがる日本に吐いたことでたしなめられる 元記事(削除済み):http //mdn.mainichi.jp/culture/waiwai/news/20070609p2g00m0dm015000c 0 Churlish Chinese chided for chundering on chagrined Japan 2007,6,9 Asahi Geino 6/7 By Masuo Kamiyama 田舎じみた中国人、悔しがる日本に吐いたことでたしなめられる 2007,6,9 アサヒ芸能 6/7 カミヤママスオ記 1 Whether blatant rip-offs of intellectual properties, exports of deadly dog food to the U.S., or poisonings in Panama -- where over 300 humans are said to have died from ingesting toxic cough preparation -- China's international reputation has come under fire of late. 知的財産のあからさまなパクリやら、合衆国への致死性のドッグフードを輸出やら、あるいはパナマでの中毒(毒性の咳止めを服用したために300人以上の人間が死亡したといわれている)やらで、中国の国際的な評判は最近非難の的となっている。 2 China's main appeal, notes Asahi Geino (6/7), has been manufacturing on the cheap, made possible by low labor costs. But these have risen in the country's coastal areas, forcing factories to move to the interior -- where quality control is slipshod at best. One Japanese maker of ladies' foundation garments was aghast to discover recently that the length of the shoulder straps on an entire shipment of brassieres it had ordered were not of uniform length. アサヒ芸能(6/7)は記すのだが、中国の主な魅力は、低い人件費によって可能となった製品の安さである。 しかし中国の沿岸地方の人件費は上がってきており、工場は内陸に移動することを余儀なくされている--そこでの品質管理はよくて手抜きだ。 女性用スタイル矯正下着のある日本人製造業者は最近、注文した積荷一杯分以上のブラジャーの肩紐の長さがバラバラだったことに気がついて、愕然とした。 3 "Workers there are paid by the piece, so they just rush to turn out as many items as they can," a businessman explains. "And no one even gave them detailed instructions on how to sew them before they started." 「内陸地の労働者は製品一つごとに金を貰えるので、かれらはとにかく急いで可能な限りたくさんのモノを作るという結果になります」と、あるビジネスマンは説明する。 「そして、労働者が仕事を始める前に、どうやって縫うのか、詳しい説明をかれらにする人なんて一人もいません」 4 But Asahi Geino saves the gist of its polemic on the mercenary individuals who arrive on these shores. China's "New Badniks" is how the weekly describes them. しかしアサヒ芸能は、日本に到着したこれらの金銭に卑しい人々に対する反論の骨子を、省いている。 アサヒ芸能がかれらについて描写するときに使った言葉は、中国の"新しい悪役ロボット"である。 5 "My wife hoped to marry Yukichi Fukuzawa," sighs journalist Shunsuke Yamaoka, author of "My bride was an extraterrestrial" (Futabasha, 2001). He was not being literal, as Mr. Fukuzawa passed away back in 1901; but his visage peers out from Japan's 10,000-yen notes, the largest denomination currency, which are worth about US $80 each. 「ぼくの嫁さんは異星人」(2001年双葉社)という本の著者の、ジャーナリストの山岡俊介は、「私の妻は福沢諭吉と結婚したいと願ったのです」と、ためいきをつく。 彼は文字通りのことを言ったわけではない。というのも福沢氏はすでに1901年に逝去されているからだ。しかし彼の肖像画が、日本の1万円札から覗いてるのだ。1万円札は最高額の流通貨幣であり、一枚につきおよそ80アメリカドルの価値がある。 6 "Japanese always complain that Chinese are 'too laid-back,' while Chinese say, Japanese are 'too fastidious,'" relates Yamaoka, who met his Chinese bride while she was working as a club hostess. When she "proposed" marriage, her sweet words came out as, "My visa's going to expire pretty soon." 「日本人はいつも、中国人たちが『おおらかすぎる』と不平をいい、一方中国人は、日本人は『気難しすぎる』といいます」と山岡は思い出す。彼は彼の中国人花嫁に、彼女がクラブのホステスとして働いているときに出会った。 彼女が結婚を『申し込んだ/画策した』とき、彼女の甘い言葉はこうだった:「私のビザはもうすぐ失効しちゃうの」 7 "The Chinese in Japan come from the bottom rung of their society," he reflects. "They come here because they aspire to a more prosperous life. Even my wife would say to me, 'Money, money.'" 「日本に住む中国人は、かれらの社会の中の最低の階級からやってきます」と彼は評価する。 「かれらはもっと裕福な暮らしを熱望して日本に来ます。私の妻でさえ、私に『金、金』と言ったものです」 8 Complying to her wishes, Yamaoka estimates that over the 12 years of their marriage, he sprang for over 40 million yen, including drug injections (at 100,000 yen a pop) for her ailing mother, purchasing a condo for her in China and helping out with her younger brother's messy divorce. 彼女の願いに応じて、山岡が見積もるところでは、12年以上に及ぶかれらの結婚生活において、闘病中の義母のための薬物の注射(一回につき約10万円)やら、中国内の彼女のための豪邸の購入やら、彼女の弟の厄介な離婚やらで、山岡は4千万円以上の代金を払った。 9 "She said if she couldn't get her hands on money any other way, she'd be forced to sell her body," says Yamaoka. "As a man, I couldn't stand for that." 「他のやり方で金を手にできなければ、彼女は自分の体を売らざるをえないといいました」と山岡はいう。 「男として、私はそれは我慢できませんでした」 10 "When you consider about the way Chinese think, the importance of 'face' is palpable," Yamaoka observes. "But our marriage was based on true love. Even though our divorce is imminent, I still believe this, even now." 「中国人の考え方について考慮するとき、『面子』の重要性は容易にわかります」と山岡は意見を述べる。 「しかし私たちの結婚は真実の愛に基づいていました。私たちが今にも離婚しそうだとはいえ、今でも、私はそう信じています」 11 Yamaoka currently only sees his once a year. 現在山岡は、彼のものとは年に一回しか会わない。 12 "Even though I told her to go back to China, she stays here. I can't figure her out," he sighs. 「私が彼女に中国へ帰るように言ったにもかかわらず、彼女はここに滞在しています。私には彼女がわかりません」と彼はため息をつく。 13 In Shinjuku's Kabukicho entertainment zone, meanwhile, Chinese continue their pursuit of wealth with such illicit activities as prostitution, credit-card skimming and drugs. 一方、新宿の歓楽街・歌舞伎町では、売春、クレジットカードのスキミング、そしてドラッグといった、道徳的にとても許されない活動をして、中国人が彼らの富の追求を続けている。 14 "In some of the Chinese pubs, a place might actually run by an operator until midnight," says Shinjuku's celebrity street guide Li Xiaomu. "Then it closes, and from 1 a.m., another operator takes over at the same location. The rent is cheaper that way, and a lot of shops do it to avoid police crackdowns. And it's profitable. That kind of business is illegal itself, but the biggest problem is that some of these 'secondary shops' deal drugs." 「チャイニーズパブの中には、実際に夜中まで一人の経営者によって営業されている店があることでしょう」と、新宿区の有名なストリートガイドのLi Xiaomuはいう。 「その店が閉店すると、午前1時から、同じ場所なのに経営者が別の人にかわってしまいます。そのほうが使用料が安く、警察の取締りを避けるため、多くの店がそういうことをしています。そしてそれは利益が高いのです。この手の商売が違法であるのみならず、もっとも大きな問題は、これらの『第二の店』のうちいくつかがドラッグを扱っていることです」 15 On May 14, notes Asahi Geino, police arrested a Chinese national, the president of a trading firm who operated a club on the side. Police found 2.6 kilograms of the hallucinatory drug Ketamine concealed on the premises, and the man is suspected of having peddled over 8 kilograms of the stuff since 2004. (It only became a banned substance in Japan from 2007.) アサヒ芸能が記すには、5月14日に、警察は中国国籍の、影でクラブを運営していた貿易会社社長を逮捕した。 幻覚を起こさせるドラッグ・ケタミン2.6キロがクラブの敷地内に隠されているのを、警察は見つけ出した。そしてこの男には、2004年からこのブツを8キロ以上密売していた容疑がかけられている。(ケタミンが日本で禁止薬物となったのは、ようやく2007年になってからである) 16 One question the magazine raises is, with China's economy in the midst of a boom, why would Chinese even want bother with Japan at all? アサヒ芸能が提起する一つの質問は、中国経済が大好況の真っ只中にあるにもかかわらず、そもそもなぜ中国人はわざわざ日本に関わるのか、ということである。 17 "The current economic bubble in China has only benefited the people in big cities," opines international affairs commentator Masahiro Miyazaki. "It has no impact on the rural inhabitants, who harbor a deep-seated resentment that they're at a great disadvantage in their own country. These days, brokers are smuggling Chinese to not only into North America but even to Africa, using swindles like, 'In Angola all you have to do is scratch the surface and you'll find diamonds.'" (By Masuo Kamiyama, People's Pick contributor) June 9, 2007 「現在の中国の経済バブルは大都市の人々にのみ恩恵を与えてきました」と、国際情勢コメンテーターの宮崎正弘は見解を述べる。 「バブルは地方在住者に対しては何の効果も与えませんでした。自分は自分の国において非常に不利な立場にあるという根の深い恨みを、地方在住者は心に抱きました。近頃では、ブローカーは中国人を北アメリカどころか、『アンゴラでは地表を引っかくだけでダイアモンドを見つけられるぞ』といっただまし文句を使って、アフリカにまで密入国させています」 (カミヤママスオ記・ピープルズピックコントリビューター) 2007年6月9日 参考資料 ぼくの嫁さんは異星人 http //www.amazon.co.jp/dp/4575291935 山岡俊介 http //ja.wikipedia.org/wiki/%E5%B1%B1%E5%B2%A1%E4%BF%8A%E4%BB%8B ケタミン http //ja.wikipedia.org/wiki/%E3%82%B1%E3%82%BF%E3%83%9F%E3%83%B3 宮崎正弘 http //ja.wikipedia.org/wiki/%E5%AE%AE%E5%B4%8E%E6%AD%A3%E5%BC%98 拡散状況 The Black Ship http //www.theblackship.com/forum/japan-tabloid-news/887-churlish-chinese-chided-chundering-chagrined-japan.html 中国語サイト http //bbs.chinadaily.com.cn/viewthread.php?tid=567619 page=3(*1) 関連ページ The Black Ship 毎日新聞英語版から配信された記事2007年(1月 - 6月) 記事が及ぼした影響
https://w.atwiki.jp/vocaloidenglishlyric/pages/452.html
【Tags Hachi Miku tT T】 Original Music title THE WORLD END UMBRELLA Romaji music title THE WORLD END UMBRELLA Music Lyrics written, Voice edition by ハチ(Hachi) Music arranged by ハチ(Hachi) Singer(s) 初音ミク (Hatsune Miku) "WORLD'S END UMBRELLA http //www4.atwiki.jp/vocaloidenglishlyric/pages/565.html" is the retaken version of the song. Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson): The great umbrella covering the earth. A tower is built in the center, a mass of machinery that props it up. As one would expect, the villages below get no sun, and are tormented by leaks called "rain." But the people do not question. For it is commonplace. It means nothing. It is simply "law." The umbrella blocks the rubbish rain from the crying sky The town is blind; no one questions, like clowns Again, you spit at the umbrella I didn't look, but your voice sunk to a drone We didn't hear anyone, but he felt the rain He took my hand, and toward the tower... We ran "Someday, that picture-book-sky will come..." You promised me, in a soft voice In that moment, the rain went away, And our sadnesses, too, were forgotten With rain falling on them, the two arrived at the umbrella tower. The shut double doors would hardly budge, but the couple would not be rejected. Not everyone can enter. With or without a key, it seems it would be the same. On the other side of that door, Crumbling, heading somewhere up a spiral staircase Stained with black as the dripping rain echoes I was almost crying, and to softly comfort me You laughed, grabbed my hand again, and ran Chasing a white shadow, it runs past a row of cages There's no time to look for reason... Nor any desire My hand trembles, but I hear your voice So instead, I just watch your back In the dark, the gears laugh Look, a gentle breeze brushes your cheek "The wind is blowing..." The girl said. The boy quietly acknowledged her. Nothing could stop their feet. In such a faraway place, they didn't know how long they had been running. The two were hopelessly small. No one found any trace of them. No one found any trace of them. No one found any trace of them. No one found any trace of them. No one found any trace of them. The white shadow went far ahead, and sadly disappeared It smelled of rust and we were stained all black, but soon the colors began to brighten We heard a voice from somewhere, in a tone we had forgotten At the end of the spiral staircase was a very small door Dusty from waiting "Open it..." "Okay..." There... we saw perhaps everything Flowers blooming in every color, and a deep blue sky If you saw me, I was crying... I don't need anything more And the most precious, picture-book-sky So that returning it to its rightful place would not be forgotten, You gave me a quickly-made bouquet, And as we laughed, I leant on your shoulder At the end of the world, the umbrella is raised* And as long as there's such a world as this, it will be fine It won't be sad, not when I'm by your side... (On top of the umbrella where flowers bloomed, with faces filled with joy, a pair sleeps softly together...) Singable English Lyrics (translated by vgboy / vgperson): The great umbrella covering the earth. A tower is built in the center, a mass of machinery that props it up. As one would expect, the villages below get no sun, and are tormented by leaks called "rain." But the people do not question. For it is commonplace. It means nothing. It is simply "law." The crying sky, hidden by the umbrella blocking all the rubbish rain And yet the town is so blind; they pay it no mind, as if carefree clowns And you, again, faced it then, and with disgust, toward the umbrella you spat Though nothing seemed to be shown, I realized your voice had reduced to a drone In that moment, I know no one spoke; he felt the rain, and as if provoked, He held onto my hand, and toward the tower... We ran away "Someday, we'll have for ourselves a bright and deep blue sky" Though it was but something out of a picture book, you promised, tenderly Bound together as we were, you promised, next to me, "There is a sky, that we've found but in stories, it's time that we went to see" --! In that moment, the rain shortly seemed to go away And so did our prior sadnesses, forgotten just the same With rain falling on them, the two arrived at the umbrella tower. The shut double doors would hardly budge, but the couple would not be rejected. Not everyone can enter. With or without a key, it seems it would be the same. On the other side of that door, It's crumbling, and we're climbing up to wherever this spiral staircase leads Our journey stains us with black, and still the unpleasant rain echoes I stand by, about to cry, yet, you see, and attempt to comfort me You could still show me a smile, and holding my hand, we could run for a while As we chased a shadow colored white, countless rows of cages passed by to our right Yet we could spare no time to search for reason... Nor'd we want to My hands were starting to shake, but with your gentle voice, There was nothing I could fear, so instead, protecting you was my best choice Wandering through pitch darkness, gears laughing, all so bleak, Yet, come, don't you feel the gentle wind brushing against your cheek? "The wind is blowing..." The girl said. The boy quietly acknowledged her. Nothing could stop their feet. In such a faraway place, they didn't know how long they had been running. The two were hopelessly small. No one found any trace of them. No one found any trace of them. No one found any trace of them. No one found any trace of them. No one found any trace of them. The white shadow we had chased, alas, could be chased no more, and though it seemed sad, his time came to disappear Our surroundings smelled like rust and we were colored wholly black, but at last, the colors became clear From somewhere, it seemed as if we could hear the faintest voice, maybe just imagined, but as if heard before Waiting past the final step of the spiraling staircase, there was but a very, very tiny door Covered with dust, waiting here ignored "Open it..." "Okay..." And beyond it, we saw perhaps everything laid out before our eyes, Flowers blooming in a rainbow of colors, and a bright and deep blue sky And if you were watching me, you would have seen me cry All that I could need was right here, right by The so-called picture-book sky which you'd promised we'd see, Now in our sight, we should not forget to take it to the place it should be So, quickly you made a bouquet, and yes, it was clumsy, but for me And together we laughed; softly, on your shoulder I leaned Waiting for us at world's end, the umbrella is raised, And I know that as long as such a world is here, all will be right Ever it will not be sad, not when I'm by your side... (Lying on the umbrella where flowers bloom in plenty, their faces seeming filled with such happiness, a couple slept away, softly, together...) Romaji lyrics (transliterated by vgboy / vgperson): Chi o oou ooki na kasa. Chuuou ni tou ga ippon kenchi, sore ga kikai no katamari o sasaeteiru. Touzen mashita ni aru shuuraku ni wa hi ga atarazu, kikai no sukima kara moreru "ame" ni sainamareteiru. Hitobito wa utawanai. Sore ga atarimae datta kara. Nante koto wa nai. Tada no "okite" nano dakara. Ano kasa wa naita sora o damashi kuzu no ame Machi wa moumoku daremo utagawanu douke de Kimi wa mata tsuba o sono kasa ni mukete haita Atashi wa minai duroon ni nosete nagashita Dare no koe mo kikazu ni kare wa ame o tsukami Atashi no te o tori ano tou e Hashiru no "Itsuka miteita ehon no sora o" Yakusoku ni shite tojikonda chiisa na koe wa Setsuna ame sae mo hikisaite Mou kanashimu koto mo wasureta mama Furishikiri ame to tomo ni, futari wa kasa no tou e to tadori tsuita. Tozasareteita ryoubiraki no tobira wa, oseba akkenai hiraki, futari o kobamu wa shinai. Daremo hairou to wa shinai no da. Kagi nado atte mo nakute mo onnaji darou. Sono tobira no mukou no, Kuzuredashi doko e iku ransenkaidan no saki wa Kuroku susukete shitataru ame no zankyou Nakisou na atashi o sotto nagusameru you ni Kimi wa waratte mata te o tsunagi hashiru no Shiroi kage ni owarete nigeta saki ni ori no mure Riyuu o sagasu itoma mo naku Ki mo naku Furueta te ni wa kimi no koe ga Atashi wa sonna senaka o tada mimamoru no Yami ni toketa haguruma wa warau Hora kasuka ni kaze ga hoho o naderu "Kaze ga, nagareteru wa" Onna no ko wa itta. Otoko no ko wa chisaku aidzuchi o utta. Ashi o tomeru koto wa nakatta. Totemo tooku made kita you na, arui wa mada hashiri hajimete ma mo nai you na. Zetsubouteki ni chisa na futari o, dare ga mitsukeru koto mo nakatta. Dare ga mitsukeru koto mo nakatta. Dare ga mitsukeru koto mo nakatta. Dare ga mitsukeru koto mo nakatta. Dare ga mitsukeru koto mo nakatta. Shiroi kage wa mou otte konakute totemo kanashisou ni kieta Sabita nioi mo susuketa kuro sae mo yagate iro o awaku kae Doko kara koe ga kikoeta you na ki ga shita you na wasureta you na Rasenkaidan no tsukiatari ni wa totemo chiisa na tobira ga Hokori o matoi matteita "Akeru yo" "Un" Soko ni wa nanimokamo ga aru you ni mieta Iro toridori ni saita hana fukai aozora Kidzukeba atashi wa naiteita Mou nanimo iranai wa Taisetsu na kono ehon no sora o Aru beki basho ni kaeshita wasurenai you ni Kimi ga kureta tsutanai hanataba o Warainagara sotto kata o yoseta Sekai no saigo ni kasa o sasu Zutto konna sekai naraba yokatta no ni Kanashikunai wa kimi no soba de... (Hana no saita sono kasa no ue ni wa Totemo shiawasesou na kao de Chisaku neru futari ga ita)
https://w.atwiki.jp/vocaloidenglishlyric/pages/591.html
【Tags 40meterP Miku tD tW M】 Original Music title 妄想スケッチ English music title Delusion Sketch / Wild Fantasy Sketch Romaji music title Mousou Sukecchi Music Lyrics written, Voice edited by 40㍍P (40meterP) Music arranged by 40㍍P (40meterP) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay): Not having enough is so much better than having too much. I must keep being clingy, if I want your devoted love. Even if there's no risk, it's still safer not to get involved at all. I must pray, devotedly with my body and my soul. The raindrops of deception, dribbling from the lamenting sky, trail down along my frozen cheeks. In the parched sea of my heart, a single flower has blossomed. If it's not hard to deceive, then it shouldn't be hard to believe, either, right? I don't even need you to give me anything in return, so please just be deceived for now. Not knowing is so much better than becoming sullied. I want to try having a dream about my wildly fantasized love. If it's someone who'll leave someday, then it's safer not to pursue. Don't make any excuses, and don't get all emotional on me now. The sounds of the moving street scenery, and the people's clamors, I will pretend not to have heard them, and start running away. "I'm the only one that's different..." there's no way I can just say that out loud to anyone. If it's not hard to correct mistakes, then it shouldn't be hard to make mistakes, either, right? Before we start comparing our answers, tell me first is that answer of yours correct? Having told you one silly little lie couldn't have made you hate me, could it? It's fine even if it's a love where we sit back-to-back facing away, please just give me your warmth right now. English Lyrics (translated by vgboy / vgperson): If it's too much to handle, it's better to not have enough I tease you with a devoted love Even if it's not cursed, it's safer not to touch it I beg you, praying with all my soul Lying tears of rain spill from the sky, and fall upon cold cheeks In the withered sea of my heart, a single flower came into bloom... If deception isn't particularly difficult, Believing can't be either, can it? It's best not to even think of looking back, So just for now, please do deceive me... If you've gotten filthy, it's better not to know I want to dream, of a delusional love If someone leaves you, it's safer not to chase them Don't make excuses, and don't be so sentimental The scenic town comes alive with people clamoring, and I run away feigning deafness As long as no one tells me "you're the odd one out"... If being correct isn't particularly difficult, Erring can't be either, can it? Before we trade answers, tell me this Is that answer of yours right? Since I'm muttering only petty lies, There's no reason to hate me, is there? I'm fine with a love back-to-back, So promptly, please do warm me up... Romaji lyrics (transliterated by vgboy / vgperson): Moteamasu kurai nara tarinai hou ga mashi da O-nedari surunda kenshinteki na ai o Tataranu kami de mo furenai hou ga bunan da O-negai surunda zenshinzenrei inorunda Koboreochita sora no namida itsuwari no ame ga tsumetai hoho o tsutawaru Karehateta kokoro no umi ni ichirin no hana ga saita Damasu koto ga muzushikunai nara Shinjiru no mo muzushikunai desho? Mikaeri nante nakute mo ii kara Ima dake damasarete kudasai Yogorete shimau nara shiranai hou ga mashi da Yume mite itai no bousouteki na ai o Sariyuku hito nara owanai hou ga bunan da Iiwake shinaide kanjouteki ni nan naide Ugokidashita machi no keshiki zawameku hito no koe kikoenai furi de nigedasu "Jibun dake chigau" da nante dare ni mo ienai mama de Tadasu koto ga muzushikunai nara Machigau no mo muzushikunai desho? Kotaeawase no mae ni oshiete yo Anata no sono kotae wa tadashii no? Kudaranai uso o tsuita kurai de Kirai ni nante naru wake nai desho? Senaka-awase no ai de mo ii kara Ima sugu atatamete kudasai [40m-P, 40mP, 40meter-P, 40meterP]
https://w.atwiki.jp/wikimm/pages/126.html
DaVinci Resolve DaVinci Resolve 18 プロジェクト設定 MrAlexTechSeamless トランジションパック ファイル名 MrAlexTechSeamless MrAlexTechSeamless説明 D \Program\Blackmagic Design\DaVinci Resolve OpenCL 01 .dll After Effects Free 素材 [After Effects Free 素材 https //www.premiumbeat.com/blog/category/after-effects/] 単色背景を作りたい!2パターン紹介 https //start-fromscratch.com/blog/davinciresolve-background/ 動画編集 1回 メディアページ編 https //tokyohappendix.com/editing-tips/dr_mediapage DaVinci Resolve 16 データベースの保存場所 https //furutao.com/blog/2019/11/24/davinci-resolve-01-where-db-files/ DaVinci Resolve17のプロジェクトの保存先 https //oiuy.net/archives/9719 DaVinci Resolveのプロジェクトファイルの保存先 https //sumizoon.hatenablog.com/entry/2019/06/11/200601 DaVinci Resolveでプロジェクトファイルを受け渡す2つの方法 https //vook.vc/n/2149 DaVinci Resolve 無償で高機能な動画編集ソフトについて https //www.pc-koubou.jp/magazine/37640 OBSのシーントランジション設定でカッコよく画面を切り替える方法 https //shifa-channel.com/obs-transition/ Streamlabs OBSでソースを追加・編集して、画面を映す方法 https //vip-jikkyo.net/slobs-sources トランジション素材を自作して設定する方法。スティンガーに透過付き動画を登録して配信演出を付けよう https //arutora.com/21798 DaVinci ResolveをめぐるトラブルシューティングFAQまとめ https //vook.vc/n/1697 【Davinci Resolve 16】対応ファイル形式一覧!読み込めないファイルはどうすれば? https //aketama.work/dr16-file-type AllTemplates shared by sean ファイル https //www.mediafire.com/folder/0wh5oa8ll1b2c/AllTemplates お荷物のサイズとお届け先の都道府県 https //form.008008.jp/mitumori/PKZI0100Action_doSearch.action 白色のペンキ ターナー色彩 アクリル絵具 ミルクペイント スノーホワイト ニスが塗ってある机に対する接着剤 ターナー色彩 メディウム ミルクペイント マルチプライマー 200ml 仕上げ用のニス 和信ペイント 水性ウレタンニス 屋内木部用 高品質・高耐久・食品衛生法適合 透明クリヤー 130ml コテバケ ハンディ・クラウン INNOVA ワンタッチコテバケ セット 150 osu!をインストールしてプレイするまでの手順(導入方法) http //game2ji.com/osu-install/ ナレッジベース https //osu.ppy.sh/wiki/ja/Installation Aeron Chairs ハーマンミラーストア 編集の概要 https //downloads.blackmagicdesign.com/products/davinciresolve/training/jp/DaVinci-Resolve-15-Introduction-to-Editing.zip 技術 https //downloads.blackmagicdesign.com/products/davinciresolve/training/jp/DaVinci-Resolve-15-The-Art-of-Color-Grading.zip Mini Panel https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-DaVinci-Resolve-Mini-Panel.zip グラフィック https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fusion-VFX-and-Graphics.zip Fusionの3D VFX https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fusion-VFX-in-3D.zip オーディオ制作 https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fairlight-Audio-Production-Part-1.zip Fairlightのオーディオ制作 href="https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Fairlight-Audio-Production-Part-2.zip メディアの管理 https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Managing-Media.zip コンテンツの書き出し https //downloads.blackmagicdesign.com/products/davinciresolve/training/DaVinci-Resolve-15-Delivering-Content.zip LUTSダウンロード https //www.colorgradingcentral.com/free-luts-download-davinci/ あなたの動画をシネマ風に! 無料のLUT をまとめて129選ご紹介します https //www.shutterstock.com/ja/blog/129-free-cinematic-luts 1 2 3 4 5 6 7 8 動画説明 DaVinci Resolve トランジションを追加できない時の対処法 DaVinci Resolve トランジションを追加できない時の対処法 About DaVinci Resolve 18 The free DaVinci Resolve 18 includes all of the same high quality processing as DaVinci Resolve 18 Studio and can handle unlimited resolution media files. However it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 18 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro. If you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools and remote rendering, please upgrade to DaVinci Resolve 18 Studio. We hope you do decide to upgrade as your facility grows and you do more advanced work! Important information regarding project library management DaVinci Resolve 18 requires a project library upgrade from DaVinci Resolve 17.4.6 and previous versions. We strongly recommend that you backup your existing (disk based and PostgreSQL based) project libraries before performing an upgrade. What's new in DaVinci Resolve 18 Features marked with * are in progress and may change before the final release. Key Features • Blackmagic Cloud to host and manage cloud-based project libraries. • Collaborate securely over the internet using Blackmagic ID. • Upload and review on Presentations with synced markers and comments.* • Support for intelligent path mapping to relink files automatically. • Vastly improved project library performance for network workflows. • Improved project performance, especially when working with large projects. • New Proxy Generator app for auto-creating proxies within watch folders. • Ability to choose between prioritizing proxies or camera originals. • Proxy files in subfolders are automatically assigned in the media pool. Media Edit • Support for reversing shape, iris and wipe transitions in the edit page. • New subtitle improvements including - Support for timed text TTML, XML and embedded MXF/IMF subtitles. - Ability to view and import subtitles from media storage. - Support for relinking subtitle clips from the media pool. - Subtitle region support with multiple simultaneous captions per track. - Set individual presets, text positions and intuitively edit between regions. - Add, rename and manage regions from the timeline context menu. - Ability to import, export and embed multiple subtitle tracks as TTML. • Support for showing up to 25 simultaneous multicam angles on the viewer. • Edit Index now shows clip duration. • Ability to navigate keyframes outside trimmed clip extents. • Ability to navigate retime keyframes using hotkeys. • Smart bin filter for disabled timelines. • Render in place and open in Fusion actions can be assigned shortcuts. • Reset Fusion composition now works on multiple clip selections. Color • New object mask capability in Magic Mask. • Adjustment clips and Fusion generators can bypass color management. • Support for syncing clip groups in remote grading sessions. • Ability to trigger bidirectional tracking from advanced and mini panels. • Support for matte finesse and 3D qualifier in advanced and mini panels. • Dolby Vision highlight clipping support in advanced panels. • Support for bypassing color outputs from advanced panels. • Add key mixers with auto-connected key outs from advanced panels. • ACES support for Blackmagic Gen 5 camera formats. • Support for the HDR Vivid standard. • Reference gamut compression enabled by default in ACES 1.3. Resolve FX • New Resolve FX Depth Map to generate 3D depth based keys in Studio. • New Resolve FX Fast Noise. • New Resolve FX Despill. • New Resolve FX Surface Tracker for tracking warped surfaces in Studio. • Improved Resolve FX Beauty with new ultra mode. • Improved edge strength and filter controls in Resolve FX Edge Detection. • Option to composite from a second input in Resolve FX Transform. • New bokeh preset for Resolve FX Lens Reflections. • Green-purple control for Resolve FX Chromatic Aberration. • Sizing awareness option in Resolve FX lens flare and radial zoom blurs. Fairlight • Ability to convert fixed bus projects to FlexBus in project settings. • Ability to freely order tracks and buses in the mixer via the track index. • Ability to nudge custom millisecond or sub-frame intervals in the timeline. • Improved quality for time stretched audio. • Improved Dolby Atmos immersive mixing, including binaural monitoring. • Native support for Dolby Atmos production for Linux and Apple silicon. • Independent controls to enable automation and expose parameters. • Improved behavior of automated tracks under VCA control. • Improved meters with configurable decay, peak hold and display modes. • Ability to ctrl-alt click to remove gain and elastic wave keyframes. • Ability to double click a clip in the timeline to rename. • Ability to set record clip name prefix at a per-track level. • Support for renaming underlying tracks when renaming a linked group. • Equalizers with improved Q controls and mouse wheel inputs. • Dynamics with enhanced metering, gain display and enable controls. • Dynamics with improved dry mix, soft knee and metering in FlexBus. • Improved plugin management with replace and copy settings in the mixer. • New built in presets for equalizers and dynamics. • Hold shift and double click clips to extend the edit selection range. • Support for applying audio gain on range selection. • Improved waveform display accuracy under crossfades. • Origination time metadata is now persisted when bouncing mix to track. • Option to trim from unity on the Fairlight Desktop Console. • Support for VCA and bus spill on the Fairlight Desktop Console. • Support for using the Fairlight Desktop Console on Linux systems. • Studio monitoring support for FlexBus on consoles. • Fairlight console option to mute speakers on timeline load. • Support for chasing timecode via Fairlight audio interfaces. • Support for user views in the Fairlight Desktop Console. • Improved mapping for audio effects on the Audio Editor panel. • Ability to use alt + solo to invoke solo safe in the Audio Editor panel. • Support for a new clear mutes action in the timeline menu. • Enabling track mixer controls brings window to focus if already open. • Grid and list modes are persisted for patch, bus and VCA assign. Fusion • Multi-button mode selection in inspector for multiple tools. • Support for all modern and future python 3 versions for scripting. • Support for live previews when using the Text+ color picker. • Multiple new composition blend modes. • New expression animated Custom Poly modifier for masks and strokes. • Faster GPU accelerated paint tool with smoother strokes. • Faster duplicate tool with additional blur, glow and size controls. • Improved fade-on and text ripple title performance. • Improved performance for night vision, glitch, TV and other effects. Codecs • Support for video uploads to internet accounts using custom presets. • Support for encoding mono and stereo MP3 audio. • New HyperDeck export preset in the Quick Export and deliver page. • Ability to render individual clips with timeline effects. • Ability to embed Blackmagic RAW metadata in QuickTime renders. • Custom quality and profile media management options where available. • Support for rendering Dolby Vision compatible H.265 clips. • Support for decoding CMYK format TIFF files. • Support for record date and time metadata for JPEG stills. • Alpha channel support in the IO Encode Plugin SDK. • Support for RED SDK 8.2.2. • New 1440p YouTube preset. • Render option to override ACES gamut compression for round trips. • Main10 is now the default H.265 encoding profile on Mac. General • Support for 10-bit viewers on Windows and Linux in Studio. • Stream video output to remote monitoring in Windows and Linux in Studio. • Apple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro. • Support for Korean localizations in DaVinci Resolve. • PostgreSQL 13 is now bundled with Project Server. • Support for desktop notifications for collaboration chat. • User preference to import Finder tags as clip keywords on Mac. • Support for importing and exporting Final Cut Pro v1.10 XMLs. • Ability to unlink Dropbox comment and marker sync for timelines. • Playback and render now prevents Mac systems from sleeping. • Support for per-system project working paths in collaboration and cloud. • Support for per-system render cache mode in collaboration and cloud. • Support for setting current project settings as default. • Scripting API support for creating Fusion compositions. • Scripting API support for exporting project archives. • Scripting API support to get and set timeline start timecode. • Scripting API support to detect stale media bins and refresh them. • Scripting API support for updating camera raw sidecar files. • General performance and stability improvements. Intelligent path mapping to relink files automatically DaVinci Resolve 18 has the ability to automatically map and manage paths between users and machines using cloud based project libraries. This ability is enabled by default in the project settings. Once the first user adds media to a project, every additional user or machine only needs to perform a relink to their shared copy of the media. DaVinci Resolve will automatically map these paths so that the media does not go offline for other users. Users can also manually manage shared locations between users and machines. In order to do this, the first user adds a shared media location to the project settings. This could be a shared cloud folder using a service such as Dropbox or Google Drive. Every additional user can then either just relink their footage, or open project settings and set their local path to that media location. New Proxy Generator app to auto-create proxies in watch folders DaVinci Resolve 18 includes a new Proxy Generator app. You can assign one or multiple watch folders to the Proxy Generator. The Proxy Generator app will scan and automatically generate QuickTime proxies with the selected codec in a Proxy subfolder. When importing media into DaVinci Resolve, any proxies found in these subfolders are automatically linked and assigned as proxies in the media pool. This happens even if the proxies are generated after importing the media to the media pool. Improved Proxy Handling DaVinci Resolve 18 allows the user ability to prefer proxies or prefer camera originals. Depending on the setting chosen in the Playback menu, the selected clip type will be prioritized if both proxies and originals are available. Resolve FX Depth Map for depth keying and grading Resolve FX Depth Map generates a depth alpha channel using the DaVinci Neural Engine, allowing you to separate backgrounds, isolate objects at specific depths and create fog, portrait mode and other distance effects. From the effects library in color page, you can apply Depth Map to a node, enable Depth Map Preview to view results, adjust limits, isolate specific depths and finesse results. You can also disable preview, enable OFX alpha and use the alpha output in subsequent nodes. Resolve FX Surface Tracker for tracking warped surfaces The new Resolve FX Surface Tracker in DaVinci Resolve Studio applies textures or effects to flexible and deformable moving surfaces. If the texture you would like to apply has transparency, you should drag the plugin as an FX node rather than apply it on a corrector node. • The bounds tab allows you to select/create a region where you would like to apply the texture. Additional bounds and holes can be added to define complex surfaces. • The mesh tab allows you to establish a mesh over the surface you would like to track. This acts as the starting point for the tracking. • The track tab is where the analysis is performed. You can adjust the motion range for fast-moving objects and the rigidity of the mesh. • The result tab allows you to control how you would like to use the warped surface for warping or compositing content. Improved Resolve FX Beauty with new ultra beauty mode. The ultra beauty mode, now the default setting for Resolve FX Beauty allows for stronger filtering and more natural results. This more powerful effect can even help with smoothing object surfaces, and even some compression artifacts. Convert fixed bus projects to FlexBus Older fixed bus projects can be converted to FlexBus projects by unchecking the use fixed bus mapping control in project settings under Fairlight. This action permanently converts the project's timelines to FlexBus and cannot be undone. Ordering tracks and buses from the track index You can now drag and drop tracks and buses to freely change order in the track index. This order will be reflected in the meters, mixers and the fader panels. You can choose between a single scrollable view or a split view with a fixed section, indicated by an adjustable split point. Configuring meters decay, peak hold and display modes. Fairlight meters now have a Digital VU mode with combined VU and Peak levels in FlexBus projects. From the Project Settings, under Fairlight, you can select IEC 60268-18, Digital VU, or define your own custom levels, scale and decay. Improved plugin management in the mixer You can now copy settings for pan, EQ, dynamics and third party plugins between tracks and buses in the mixer. This can be invoked in multiple ways • Context menus in the plugin dialog or in the mixer graphs of pan, EQ and dynamics. • Hotkeys Shift+Control+C Shift+Control+V (Shift+Command in Mac OS). • Mixer strip header context menus for full channel settings. Improved Python 3 Support The automatic detection of installed Python versions for scripting has been updated to check for default installations for Python 3.3 to 3.10 (and future versions). If set, the PYTHONHOME environment variable (or the explicit PYTHON3HOME and PYTHON2HOME if you have both installed) will be considered. To explicitly override the version used by DaVinci Resolve and Fusion Studio, you can set FUSION_Python3_Home (formerly FUSION_Python36_Home) to point to the base folder. Expression animated Custom Poly modifiers You can now quickly create and animate Fusion masks and strokes using custom poly modifiers. In addition to common expressions, the Custom Poly supports these functions and variables • (px,py) for the current point on the source poly. • disp for the point's displacement on the poly. • index and num for the current point's index (zero-based) and total number of points. • getx(disp), gety(disp) to access polyline values from specific displacements. - getx_at(disp,time), gety_at(disp,time) for displacements and times. - Use get2, get3 variations for additional inputs. • get[rgba][bdwm](x,y) to access image channels with optional black/duplicate/wrapped/mirrored results. Support for 10-bit viewers on Windows and Linux in Studio. In Preferences, under General, DaVinci Resolve Studio now allows enabling 10-bit precision in viewers in Windows and Linux. You will need a capable Nvidia or AMD graphics card, up to date drivers and a 10-bit capable display. Stream video output to remote monitoring in Windows and Linux in Studio. DaVinci Resolve Studio now supports the ability to stream your video monitoring output to a remote Blackmagic Design video monitoring device. This requires • A Windows and Linux Studio system with an Nvidia graphics card. • Remote Studio clients with a Blackmagic design monitoring device. • Windows and Linux clients need an Nvidia graphics card. On the streaming server, you can allow remote streaming connections in Davinci Resolve Preferences under General. By default, TCP port 16410 is used for streaming connections. On the client, go to the Applications folder on Mac or the Windows start menu to the DaVinci Resolve folder, and run the DaVinci Remote Monitoring application. Set the IP address of the server machine. Configure your DeckLink or UltraStudio card on the client machine and press start. The streaming server can now accept the incoming connection prompt and start streaming its monitoring output to remote clients. Currently, remote streaming reflects the cut, edit, color and deliver viewers. It streams stereo audio and does not show overlays or scopes on the client side. Mac OS clients are limited to 8-bit 4 2 0 video formats. Pre-Installation Notes • PostgreSQL 9.0 is the minimum supported version. • PostgreSQL 13 is the recommended version. • 10-bit viewers on Windows Linux needs a capable graphics card and display. Minimum system requirements • Windows 10 Creators Update. • 16 GB of system memory. 32 GB when using Fusion. • Blackmagic Design Desktop Video 10.4.1 or later. • Integrated GPU or discrete GPU with at least 2 GB of VRAM. • GPU which supports OpenCL 1.2 or CUDA 11. • NVIDIA/AMD/Intel GPU Driver version – as required by your GPU. Installing DaVinci Resolve software Double-click the DaVinci Resolve Installer icon and follow the onscreen instructions. To remove DaVinci Resolve from your system, go to the Programs and Features control panel, select DaVinci Resolve, click on Uninstall and follow the onscreen prompts. Migrating legacy Fairlight projects to DaVinci Resolve In order to import legacy Fairlight DR2 projects into DaVinci Resolve, download and install the following utility on your Windows system https //downloads.blackmagicdesign.com/DaVinciResolve/Fairlight-Project-Importer.zip After installing the utility, you should see an option to "Import Fairlight Project" in the Fairlight menu in DaVinci Resolve. Additional information Please refer to the latest DaVinci Resolve configuration guide for details on Windows support, including certified driver versions for third party hardware. It is available from www.blackmagicdesign.com/support/. You will also need to download and install the latest Blackmagic Design Desktop Video software for monitoring with your Blackmagic Design video hardware. Desktop Video is available from www.blackmagicdesign.com/support/. © 2001-2022 Blackmagic Design Pty. Ltd. All rights reserved. Blackmagic Design, Blackmagic, DeckLink, Multibridge, Intensity, H.264 Pro Recorder and "Leading the creative video revolution" are trademarks of Blackmagic Design Pty. Ltd., registered in the U.S.A and other countries. Adobe Premiere Pro, Adobe After Effects and Adobe Photoshop are registered trademarks of Adobe Systems. Avid Media Composer and Avid Pro Tools are registered trademarks of Avid. Apple Final Cut Pro, Apple Motion and Apple Soundtrack Pro are registered trademarks of Apple Computer. Updated April 27, 2022.
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歌名五十音順 A Ace Killer 69 ACID RAIN act. act10k+1 ACUTE Adam affection after the end After the Wind after this Afterglow Afterlife AGAIN AGAINST AGE Ahead AILE -アイル- aimai Air… AI少女と深層心海 AJISAI ALCANO Aldebaran alf Alias Alice Alice/オゾン ALICE iN BLACK MARKET Alice in Dreamland/なぞ Alice in Dreamland Alice in Musicland Alice in Wonderland Alice in 冷凍庫 Alicia alive Alive/デスおはぎ all All About You ALL THINGS MUST PASS Allerleirauh alnair Alone in the world alphabet dance Alphard Altair -アルタイル- alternate Always and Forever AM 10 30 Ambient works for Kakoi Nizimine ametrin Amusement Panic Analyzed World ANA☆CHI☆GUY and taboo… ANEMONE OVERDOSE Angel Bless Angel Bullet Angel s Radio -chu chu noise- Angelic! ANIMAる Another Another Hero Anti Selector Anti the EuphoriaHOLiC ANTI THE∞HOLiC ao - kaito kaossilator apricot sun April Fool Aquaculture Aquila arachnoid Arcadia Are you a human? A・R・I ARiA ARIA STAR ARPK Arrest Rose ARROW Arrow of Love Artemis Artemis/スペクタクルP ARTICUTION/奇術師の告白 Artificial Fantasia Aschenputzel Rhapsodie Ash Aspirin Asterism at home Atoms Atoropa attack on XXX Attractive Rainbow auLelia Aurora Avenger AWAKEN Awakening! azul Anything For You B BALLOON Barbed Eye bard Baroque Be Alike Be brave. Be mine! Be Myself. BEAT! Beats of Silence BEAUTIFUL DREAMER Beautiful Paradise Because merge to you because the sky is before light behind me Believe in Aphrodite Beside Besides betray Between The Real and Fairy tale. Between the seats Bezier Curve BiBLiO bin birth Birthday Birthday Song for ミク Bitter Sweet s Beast Bittersweet Memories... II Bittersweet Question BITTERSWEET SOUL Black Black Black Board black box Black Canvas BLACK CAT Black garden Black Out Black Sheep BLACKBIRD Blackjack Blague stupide blank BLAZE blessed child Blessing Blindness/PolyphonicBranch Blindness Bloody Fang Bloom! Blue/雷鳴P BLUE/Kanata Labo Blue/ゆよゆっぺ Blue Bird Blue Bird/Chiquewa blue blue blue Blue Diamond BLUE DOOR Blue Rose /おっさんP BLUE SKY HIGH-蒼の空- Blue/Green Bluemoon Bluer Sky blue&cloudy BLURRY Boku-Boku .β books Border BORDERLESS BossDeath bouquet Brave New World Break out! Break Up Breakin the chain Breath of mechanical breed Breezy note Bright bright pride Brilliance Brilliant Brilliant EVE Broken Flower Broken Heart bullet Burial At the Sea BURNING BurNing HeaRt Burning Like A Flame Butterfly Butterfly Knife butterfly paradox ButterflyPlanet Bye-Bye Bye-Bye Lover Bye-bye My Blue Bird THE BLUE Toy Box ビオラの花 C chameleon Change me change my world Changes CHAO! CHAOS CORD Chaotic Love Revolution charActer CHARCOAL GRAY Charge charm CHICKEN STEAK Child s Garden Chillyditty Of February China Blue Chip Tears Chloe chocolat chaud Chocolate Charm Christmas Morgue Christmas with you CHU!して! chu-っとそばにいてね☆ cinema Cinnamon s Cafe CITRUS CivitaS Re/constructioN clear clear veil CLEAR WAVE cLick cRack Clink Twinkle clock lock works clock work clocks Clockwise Close My Eyes Close to me Close to you CLOSE*2 Closed CLOSET PRINCESS cloud Cloudy Sky Clover Life CO2 Cocoon Coda COIN collapse COLOR Color Chronicle Color of Drops color of smile colors Come To Me connect Connecting Connection CONTINUE Contrast Controlled dive cool-laziest corona/410 Corruption Garden Cosmic star cosmic tones COSMiCA Cosmos count the moon COUNTER CULTURE Counterclockwise crack Cradle Of Destiny CRAWL Crazy ∞ nighT Creator s Real Crescent Mark Crimson Camellia croak crossfade crow Cruel Clocks Crush on you cry Cry for you CRY MAX!! Crying Air Cryogenic CRYONICS crystal mic CRYSTAL MICROPHONE UNDERGROUND Cullet CUNE TUNE Currant Cursed Pain Cute n Cute n Luck Cute Luck CUTIE88 cyanotype Cyclone D Daisy Dance in the Snow Cage Dance party in hell dance with your body Dancing Love dandelion Dark to Light Day Dream Night daybreak/午後ティー DAYBREAK DAYBREAK FRONTLINE Daydream Daydream Catcher days -sky field- Days of Gray Dead Foresta~睡蓮の湖に沈む~ Dead Stock Alien DEADHEAD Deadly sleep Dear Dear Audrey Dear Dawn Dear lover Dear Prudence Dear Rainbow Dearest DECODE DECORATOR Deja vu ~いつか見た場所~ DENPA for JAPAN! Departure ~僕らの道~ Dependence Intension depth Deride Deseo desert Desire Despair Desperate DESTINY/あやりす destiny Destiny colors Destiny Love Destroys Nightmare Detect Devil? DI diamrem DIARRHEA Diary-EpisodeⅡ- die dream Ding-Dong Ding-Dong(ディン・ドン) Dirty Slang Disappear DISCOTHEQUE Disorganized schizophrenia DiSTaNCe Distance/エガマイヤー Distance/POKD Distance to the sky Distorted Princess DIVE INTO BLUE dive into Marchen DIVE!! Divertissement divide Do it! Dog Day Afternoon DOGS dolce ~空の絵描きうた~ DOLL Dolls Don t be afraid don t want you to sing DON☆TEN doppelganger Doubt! DQN / 師範代P DQN / エスペイ Dr.リアリスト Draft Drain Drawing x drawinG Dream Chaser Dream in Dream Dream of you DREAMA DreamenD Driving drizzling rain drop drop pop candy Drown one s sorrow dryout Ducktest Dystopia sad デスティニー dialogue E -ERROR E-iRO e-scape E.C.H.O earth/water Easy! Easy! Easy! EASYGOING RIDER eat me EAT ME OSTER project echo ECHO/Crusher-P Echo/uzP Eclair~消えた貴女のための鎮魂歌~ EDEN Egoism Egoistic Queen eight hundred eKlosioN El.emotion ELECT Electrical Zombies Electronic mermaid Elevation ELLIE(あめのむらくもP) ELLY emo japanesque eclectic girl emptiness End of Love End of Rain End of the Ache End of the sand castle End of the World end roll end tree Endless End Endless Nightmare/M.C.E ENDLESS RHAPSODY endless symphony Endroll A envy. Ephemeral fate epic epilogue Episode.0 erase or zero Eraser Eraser [GUMI] Erica ERiKA Error -Es/CT- escapade Escape Escape/otetsu Escape/涼風P Es~dirty aspiration~ eternal Eternal Fate Eternal feel Eternal. Eternity Euthanasia Eve evening glow Ever/RozenkreuzP ever/twinkle EVER BLUE Ever Onward EveR ∞ LastinG ∞ NighT Everless (everyday is like the)show business EXIST Existence Exit Extended POWER! 「E.F.B~恒久の氷結~」 F F.G.A.M. FABRiC FACE FAIRY TALE/花浅葱DROPS Fairy-taled FAIRYLAND Fairytale, fake doll Fake Lover fake or fate? Fake Plastic Snow falldown Fallen Fallen Bucket Fallen Down Fallen Star fallin fallin falling Falling/蝶々P FALLING STAR family fancyman fanfan-GUMIX Fantasia Nr.1 FantasiStar Fantastic farewell song FATE 「Fate -運命の扉-」 Fate of Soul~ピリオドの向こうの闇~ Fate:Rebirth Feeling Again Femme Fatale Fictitious fig fimbulvetrの切望 final letter Finale Find Me Find The Light Fire Flower Fireworks FIREWORKS/雨漏りP FISHBONE fix Fizz? flag Flashback flavor Flightless Bird Floating Shelter floret Floriography -勿忘草- Flow flower FLOWER/とあ FLOWER TAIL flowertone Flowery Song fluorite FLY AWAY~夢見る空~ Fly with me foa Folia follow For my soul Forbidden Fruit/のびらP forbidden fruit forever if made Forgotten Girl FortuneDiver Four Signals FPS FRAME OUT franca free FREELY TOMORROW FREYJA.sys~システム・フレイヤ~ From 13th from Y to Y Frozen Lovev FULLHOUSE funeral fuse Future Future Sign FUWA-FUWA 浅いポケット Fictional World G GALAXY(Under my identity) GALLOWS BELL GAME OVER GAME OVER∕混乱P garden/林檎 Gardian Blue Garnet gemsilica Genesis ggrks-ググれカス- GHOST(jon) GHOST Ghost in a closet Gimme×Gimme girlfriend Girls Give me Moneeeeeeeeeey!!! glare GLIDE Glitch Glitter glow Go Forward God Bless You God spell Going My Way! good bye monochrome Good day sunshine Good Luck! Good-Morning! Good morning Emma Sympson Good Morning, Polar Night Good morning,Muse good sleep, good sleep goodbye,innocence Goodnight Sweetheart Gothic Dance GPS GraveKeeper GravitoN Gravity Gravity=Reality GravityRain Growth Life Guilty Verse H HAKOBAKO PLAYER HALO HALO/とあ hand Hand In Hand Hand in Hand/kz(livetune) HANDS Hands/とくP Happy Halloween Happy merry Christmas HAPPY SUNDAY haruna Harvest Hastä la vistä \HA・NA・BI/ ha/ir HB HEART/マーメイドP Heart Beats Heart Groove Hearts HEAT FOUNDATION HEAVEN Heaven -field- Heaven s dooR Heaven s Music heavenly blue HEAVENS OF DARKNESS Helium Hello Mr.Colorful Hello Night Hello, Worker Hello,Hello,Hello Hello_World Henceforth Herbarium HERE hero Hiatus Hide And Seek/びにゅP HighEndCity Highway Highway Lover hindrance Hold hands with you Hologram Holography Holy Star HOME HOMEROOM HONEY POT honey sweet Hopeless Hot Milk Hotty, Hotty, Hotty hp Hug and Dance Human Hurt HYPER∞LATiON hypnoSpirA Hysteria Hysteria/ぱんだっち I [It s not] World s end i I/フェイP 「I」 I = fantasy I am I can t take it I don t need anymore I love you I miss you I say love I sing for you I Wanna Be Your World I WANNA TRUST YOU I was (reverse) I will find a star I ll be there I/M/P/O/S/S/I/B/L/E ICE! ice ice cage icoro ID ID.sys~魔女の詩~ idiolect iDOLLA If ii!! image ImagineBreaker Imitation IMITATION BLACK Imitator imperfect flower Imperfect Rook in chains IN MEMORIES In the name of God In Your Dark In Your Hands INARING☆マーチ Indicator red indicolite Infection infidel infinite loop Initial Song Inlight Inner Arts Inner cold Innocent hearts innovation inori iNSaNiTY Inside your Eyes instead of me intention Internal Vision Into Piece introduction. Invitation iolite IROHA IROHA/Rin(ぎん) Ishtar It doesn t matter anyway ITYNITED IDENTITY Ivory I YOU 【I】 It s a wonderful world. J J-POPの歌詞における「何か」の探され率は異常 J.D.D.S. Jacaranda Jackknife Jane Doe Japanese Ninja No.1 Jarring jelLy Jewel jewel/梅とら jewelfish Joker JOKER POKER Joker s Liar Judgment Judgment Day 주마등 Jump for Joy JUMP UP Just a game Just Be Friends Just call my name just fly away! Juvenile/びにゅP K Kaleidoscope kaleidoscope/きくお Kandelaarの太陽 Keep on shining Keep only one love KEEP×OUT! keli Key/Word Kid Kill me,Queen KILLER B KiLLER LADY KISS kiss/みきーの Kiss Smile Kiss you baby K.L.M Knife koe kotoba krank krylov KSGR地獄の刑 kung fu KURENAI BEAT KUSOGE- キャシーの眼鏡が語る キップル・インダストリー L Lie/Circus-P Lience LIFE Life/take_cokeP Life/たまぁ~ずP LIFE/傘村トータ Life size Life Stream lifeworks Lift Off! Light Falls LIGHT MY FIRE Light Snow Lighthouse Lights like lovers? Like×Live×Love lili. Lily Bell lily. Lilyzm Gold LIMITER link Links to Render little flames Little Traveler Little Wings Live in Dead Live in this moment live on LIVEDRIVE Lividus LOL -lots of laugh- Lollipop Factory Lonely Cry lonely frog~カエルの見る夢 Lonely Runner Lonely Snow Lonesome cat Lonesome cat 2 Lonesome cat 3 longing Looking My Way Loops and Loops Looting Love Lost Lost/Soundorbis Lost Destination Lost eight seconds Lost in the Fog Lost letter Lost Red Flower Lost Story Lost voice love love is a mirror LOVE is Cocktail Love Is Not Hidable Love it! Love Logic Love Love Nightmare Love Me If You Can LOVE ME,LOVE ME DO LOVE POP LOVE SONG Love thine neighbors. -隣の人参- Love Timer Love Trigger Love Your Life LOVE たまご Love*3 love.Game LoveDroid loveless LOVELESS××× Lover s voice Lovers Chorus Lovers wind Lovers’ Eclipse LOVE&KISS Lovin Liar Lovin Street LOVING ESCAPE LUNA Lunalight Serenade LUNATIC MISERY Luna Crescente-上弦の月- LUST DOLL Luv Venus LUVORATORRRRRY! Luxurious times Lv99 Lycieratia Lying and Lying lysosome So much loving you★ 「letter song」 -answer- ランドルトの環 (Landolt C) Little Forest Lilium M 君はただ二回飛べばいい Masquerade Master of the Court Mathematics MAWARU MAY BREEZE me!! MEGANE Melancholic Passage Melancholoid Melodia Melody in the sky meltdown-神威- Melty Moon Memoria"君の赴くままに" Memories MEMORIES/SHIKI memory memory/猫アレルギー mErcy mermaid Mermaid / buzzG Merry Christmas Message/彩音P Message in our silence messiah or desire Metallized World meteor36.0 meteorbringer:Re-entry METROPOLIS CRISIS MIDI MASTER!! Midnight calling Midnight Chase Midnight Gravity Miktronica Miktronica II MiKUSABBATH milk tea milky way Millions Of Footprints Mind Flower Mind Scientist Minuscule Ecstasy mirror Mirror Masquerade Mirrrrrors Missing Love mist-attachment in dark- mist-missing love- mistress doll misty Misty Sky Moebius Molecular[underfloor-0] Moments Monochrome Dream Monolith World monophonics Monster/Chiquewa Monument MONZETZ moon moon night Moon Walker moonlit bear Morning Dew morning haze MOTHER Mr. Wonder Mr.Alice Mr.Melancholy Mr.Music Mr.wonderboy Mrs.Pumpkinの滑稽な夢 Msylvatica muddy cloud MUG SHOT MUGIC mugs mum music music world MUTE MY BABY BLUE My Brand New Love My Colorful Confuse My Darling MY DESTINY EXPRESS My Dream , My Melody my girl My Melody My Picture My Scream My Twitter My World Mystic Dyeing Mの救済 「Magical Dolls」 ムーンサイドへようこそ m9 N Dive Into Sky High N N.L.S naked love name of memory Named After You Nameless Ghost NARAKA necrocarnival needLe NEL NERU・ACT.2 NEVER/インタネット社 Never never/猫アレルギー Never Afraid Never Die NEVER END Neverland Neverland/KEI NeverNever new direction new sound new wor(L)d New Worlds God New Year Anthem News of the World NEW WORLD/teaeye next next/午後ティー NEXT DOOR Nice to meet you night night drive NightGale No Logic No more St.Valentine’s Day NO STARS No Thank You 「 」 No You, No Me No.1 No.39 NOISE Nostalgia Nostalogic Not Gonna Dump Me Notebook Nothing nothing but nova (Heaven’s Sign) Nowhere Love nuit null ノー・ネーム O O-type- obbligato -オブリガート- Odyssey Oh...何シテルノ? on the rocks One one/Loro one more kiss One Promise One Step Ahead One Step Closer one wish ONE s hope One, Two, Flying Knee ! Ooze out Open Air Theatre Orange Herb Tea Orbit ORCA ordinary day s music Ordinary Life Our Beat to the future Our Love Out of lies Out of Spiral OVER Over Flow OVER RAIN OVER THE END over16bit! Overture ~サーカス~ OZ P P.a.r.a.l.y.z.e. Packed Memory In A Small Toy Box Pain for Cure Painful World Palette palette world breakdown Pandalism Pane dhiria PAPER Paradise Cage Paradise Song Parallax Parallel Lines Parallel Story parallelines Paralyze paranoia Paranoid Doll Parasite Satellite Parting from the darkness PARTY NIGHT/U-ji Party Night/香椎モイミ Party night Pas de deux~パドドゥ~ Passage of the moondreams Passion PassionFruits Past Days Sparkle PASTSONG Pathology of Obsessions Paul luna du Garasty peace maker Pear Pelagic fish Perfect Crime Perfect Liar Persona Alice Persona Robot PERVERSITY phantom~ファントム~ philosophoid Philosophy of Precious Love Phoqse photograph Photograph/綾葉 Photon pianissimo Piano Piano Rock Smily PIANO*GIRL Pierrot Pigments Pillow Talk Pink Rose Pioneer Plastic Loser PLATONIC GIRL Play of Color Please kiss me. poetaster_and_singing_dolls_ POMPADOUR Possibility potatoになっていく Powder Snow Power knows (radio edit) prasiolite pray for PRAY...a Prayer Will Live Present for you! Pretended Love Prince Of Necrophilia Princess Of VampirePhilia Prism Heart Producer Promise/kazyuP Promise ~約束の地~ PROTECT CODE Prototype Psychedelic Dancer Psychopath Psycoholic Shot Show Pumpkin Candy Purification Purple Umbrella Pusse cafe Pygmalion 「PYX」/ジミーサムP P 名 言 っ て み ろ ! P 名 言 わ れ た い P 名 言 わ れ た か っ た P 名 言 わ れ て な い P 名 言 わ れ て な い 理 由 pIeCE 橙交差点 ~Party~ Q Q/ぽわぽわP Qualia QUEEN DEVICER Queen “SPADE” quiet room R rabbit. ragoût raid of glass Railroad Crossing Rain/ROY RaiN rain cats and dogs Rain down Rain Line rain stops, good-bye Rain*Sweet*Umbrella Rainbow Connection Rainbow line Rainbow Quest Rainbow Story RAINBOWロード rainghost Rainy rainy x rainy Rainy Heart -夏の記憶- Raven Ray on you RE-OVERDOSE Re re lost innocence Re あなた Re bright Re ЯítueL lily. Re;BIRTH re;leaf Re;セット Re_birthday ReA reach for.... ReAct Reaction Realize reason of birth Reason of birth / buzzG REASON TO LIVE Re birthed Reboot RED Red Reflection RedHotHeatHolic! Redial Ref-Rain ReFraction Refugium regeneration Rejection Rem Reminiscence of Garnet remorse evening Rendezvous Reon replay Requiem Requiem of Steel~鉄の鎮魂歌~ Rera RESONANCE Rest In Peace Rest in the memories Return to zero Reunion Reverse REVERSE/マーチックナメテクロン Revolution No.251 REVOLVER/奏音69 Revolver Re:心の手紙 Rhythm Keeper Rinascita~始まりの謳~ RING×RING×RING Rising Summer river/PENGUINS PROJECT Roamer with the Bell Rock or Pop? Rock n Roll Riot Rocket ROOM Room 206 Rose rose quartz Route ROUTE 23 Routine/ポン酢P Rowdy Girl RPL RT Rue RUN Run and Gun! Runner s high Runway rururu.m.a.m.a ЯΛΝ! revers edge RIP=RELEASE R☆L滑舌探求歌 S Song For Dad Sonorous SOS soul without destination sound,word,heart,world SoundJewel soundless voice SoundScaper ~soup~ South North Story Southern Cross Souvenir SPACE SHIP Spaceport SPARKLE FLY SparkRING SPARKS Specification Spectrum speed Speed Up SPiCa SPICE! スピニング・ロータス SPIRAL SPIRAL GAME Spirit and Love Splatter Party Squall/ダルビッシュP Sr.Wonderland stainless moon Star Box Star Bright Star dust Star Maiden STARDUST Starduster Stargazer starlight winter love Starlite★Lydian STARMELODY Starry☆Rocket start up, ready for the music STATIC Stay or Leave Stay with me! Steiner. Step by step STEP TO YOU Stepmother Stepp谷r STIGMΛ Still Love You Story/19 s Sound Factory stoy. Strangers stray Stray child s Alice Submissive subspecies sugar chocolate waffle suicide ideation SUMMER BOY,SUMMER GIRL Summer Bright Summer Day Summer Fiction Sun sun and moon Sunday Sunday/EasyPop Sunflower SUNRIZE Super Darkness SUPER DAYS SUPER WORLD SUPER YELLOW SUPER11 SuperDrive sweet capsule Sweet Cat Dreaming Sweet Devil Sweet emotion sweet love Sweet Sweet Cendrillon Drug Sweet s Beast Sweetiex2 Sweets Bitters SWITCH switch/苺ミルクをぶっかけたら殺す。 SYMPHONIC DIVE -DIVA edit- Symphony Synapse Synapse doll Sync syrupy lovely Watercolor 「solid heart」 「S」 スーパー・ノヴァ SADAME~運命~ T _theBlue take me tapir tear Tears of palm Tears of the Thaw Tears River Tease Me teddy Tell Your World Temporal Tender Christmas Terrible Nature Thanks Giving Days thanksgiving song The 9th The Arc The Au Lait The Beast. The cherry blossom front the corrupted world THE DARK AHEAD THE DYING MESSAGE The Embedded Blue the end The end of begin all THE END OF THE WORLD the fall The flower of you The Forgotten Song The Ghost of Romantic Tranceiver The Jesus and Mary Chain The last light The Mad Hatter THE NIGHT The Starter The thought to tell THE WORLD END UMBRELLA The world of clockwork THE WORLDS theory there -rmx- Thermistor Thousand Regrets TIELLI tig-hug time flies Time is Moneeeeeeeeeey!!! Time Loop TIME MACHINE -B.C.E.999- Time to say goodbye Time Travel Time will tell Time with you Time Space Tiny PaRadisE TKB TO BE FREE To be style To Dimension To you Today,All is End. Too Late Too Late For The Sky too late to tell Too much Love Tour The Tour Tourbillon tower of sunz TOY Toys Trace Track tractrix Trajectory transient dream Transient word Transmit Trap Trap of Love TRAP×TRAP Travel In Time Trees In Our Homeland Tri TRI△NGLE LO▽E trick and treat trick art ! Triple Travel True Education ~真の教育~ Truth and Lie TsunTsun twice Twilight Fire Twilight ∞ nighT twinkle*glitter two of us type14 TypeB TФЯMЗИT TからSへ U [un]certain happiness u UFO UFO/きくお UI UltraHardAttacks of OddMusiK Umbrella Umbrella/KenZo umbrella girl UNBALANCE Unchain Undefined UNDER CONSTRUCTION Under of Fragments Under the Blue Under The Ground Under the MooN undo redo Unfragment Unimelody UNIVERSE unLimited Unveiled UpsideDown Ur-Style Uranus us uta girl Utopia V valkyria Vamos a bilar! vengeance Vermillion VIOLET virgin butterfly VIRIDIAN Vision Vista VIVA Funny Day vividest voice/猫アレルギー VOiCE VOX (Original MX) W W.O⇔R⇔L.D w/o U Walnut Bread Waltz Of Anomalies Wander Girl wanderer Wanderland Warning! warum Wash My Blood Wasteland WATERISE WAVE WAVEFILE We are friends,aren t We? Welcome to the ××××. What does it mean? What s COLOR? White Lights white love wave White Prism White Shadow White Snow Falling whiteout who am I? Why raindrops fell? Wildcard Wild Flower~情熱の薔薇~ will(遺言) windless heart winterSONG wipe wired wish With Love with me Without belief Witness word world world World on Color world wide winder world s beginning World s Crying World s End Celebrate WORLD S END UMBRELLA worldend sunset pavilion w/orld X Xenosphere XX9 XYZの魔法 Y Yellow Yggdrasill you you & i you re not alone Your Beat Your figure looks like me yours YouSaySo YOUTHFUL DAYS GRAFFITI Youthful Finder Yの牢獄 Z Zero Times Us Zero to One ZIGG-ZAGG Zombiedog Zucca 數字 --- 0621 1/6 100% 1000001colors 1000年タイムカプセル 100年後のあなたへ 12月24日連続殺傷事件 13943号室 13歳ノ殺人鬼 171 18号のBlue-Gene 1boy, 1life 23時の嫉妬 249.51 2丁目ブルース~あんたあたいの何なのさ…~ 2つの恋,1つの歌 31 days 37℃の雨 392億7948万1555人目のお姫様 498 69 7.0×10^9の天涯孤独 732日 7番目の僕 8 bit darling 832 8月32日/Diarays 9ravity in the rain ≠ 22世紀からのハロー 4時44分 \ - Backslash ~20XX~
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Destruction 破壊 名称 要求値 前提パーク 説明 StudiesNoviceDestruction 学問 素人の破壊術 1 --- The first flame is kindled, the first apple frozen, the first skeever zapped. Such are the early steps of an aspiring destruction mage.素人レベルの破壊魔法の呪文をランダムで修得する。また破壊の全呪文のマジカ消費量が軽減され性能が上昇する StudiesApprenticeDestruction 学問 見習いの破壊術 20 ↑ The careless never make it this far; destruction magic does not suffer fools. With confidence, you begin to train your mind to control more dangerous spellcraft.見習いレベルの破壊魔法の呪文をランダムで修得する。また破壊の呪文を唱えてから3秒以内に次の呪文を唱えると性能が上昇する。これは重複しないし繋がりもしない StudiesAdeptDestruction 学問 精鋭の破壊術 40 ↑ As an adept of destructive magic, your incantations are feared by the powerless, but greater mages still scorn you. With dedication, you will surpass them.精鋭レベルの破壊魔法の呪文をランダムで修得する。また破壊魔法のエリア攻撃呪文は範囲が拡大する StudiesExpertDestruction 学問 熟練者の破壊術 65 ↑ Your flames melt stone, your ice shatters metal, your storms bring death. Your command of raw energy leaves fellow mages in awe - and foes, lifeless.熟練者レベルの破壊魔法の呪文をランダムで修得する。またマント系呪文はその属性に見合う力が増強される StudiesMasterDestruction 学問 達人の破壊術 90 ↑ With mastery comes reflection Your destructive potential can level armies, but should one mortal wield such power? Such concerns are beneath you, as still greater energies are now within reach.達人レベルの破壊魔法の呪文をランダムで修得する。またマジカを100以上消費する呪文を唱えると、次に唱える破壊呪文の性能が上昇する AmbitiousMethods 野心的な手法 15 StudiesNoviceDestruction 学問 素人の破壊術 Not content with traditional arcane formulas, you ve begun to experiment with your spells to push them far beyond the limits of mundane wizardry. 破壊魔法の各呪文の性能がスキル値に応じて上昇する DefiantConcentration0 喧嘩腰の集中力 25 StudiesNoviceDestruction 学問 素人の破壊術 When pushed to the brink of your abilities as spellcaster, restraining the elemental spell s power allows you to sling magic without interruption.マジカが20%以下の時、炎氷雷の呪文は威力を抑えてマジカ消費を少なめで詠唱できる DefiantConcentration1 喧嘩腰の集中力 55 ↑ When needed, your skill as elemental mage allows you to craft such spells from virtually nothing, never to sheathe a spell in battle.マジカが20%以下の時、炎氷雷の呪文は威力を抑えてマジカ消費を更に少なめで詠唱できる SigilOfIce 氷の印 30 StudiesApprenticeDestruction 学問 見習いの破壊術 A rimed orb you created in your research empowers your frost magic, adding diamond-like shards of slashing crystals to every frozen spell.冷気呪文は同時に物理ダメージも与える PristineFrost 手付かずの霜 45 SigilOfIce "氷の印 With concentration, your frost spells turn blood to ice. Even the most arctic-adapted natives of Skyrim fear the bloody wounds your freezing spells inflict.冷気呪文は、デュアルキャストすることで増強される。また冷気耐性を持つ敵に対して物理ダメージを与える SigilOfFlame 炎の印 30 StudiesApprenticeDestruction 学問 見習いの破壊術 A secret glyph you ve discovered and added to your spell preparation adds a superconductive heat to your flames, melting your foe s armor.全ての炎呪文は、5秒間対象の防御レートを低下させる CradleOfFire 炎のクレイドル 45 SigilOfFlame 炎の印 With concentration, your flames burn as fierce as dragonfire. Even the staunchest enemy will drop their weapons to shield themselves from the blast. 炎呪文は、デュアルキャストすることで増強される。また敵の武器を解除できる SigilOfThunder 雷の印 30 StudiesApprenticeDestruction 学問 見習いの破壊術 A silver and gold dousing rod you designed gives your lightning magic an affinity for armor, leaping to electrocute encased foes.雷撃呪文は対象の防御値の1/10を追加ダメージで与える。このダメージは耐性で軽減されない Binding Shock バインディングショック 45 SigilOfThunder 雷の印 With concentration, your shock spells humble the sky. Their bodies blasted numb by the electrical power, your foes collapse in pathetic heaps in front of you.雷撃呪文は、デュアルキャストすることで増強される。デュアルキャストで対象を一度のみ麻痺させる AbsoluteZero アブソリュートゼロ 70 StudiesExpertDestruction 学問 熟練者の破壊術 With every uttered spell, the unearthly magical cold you create explodes around you, actually freezing the ether around your body. 冷気呪文を詠唱すると、術者の半径10フィートに及ぶ冷気爆破が生じる ChillOfDeath 死の悪寒 85 AbsoluteZero アブソリュートゼロ Cold weakens and kills, but as your frostbitten foes suffer the malicious chill of your spells, their very ability to endure is extracted by your magic. 全ての冷気呪文のスタミナダメージが上昇し、術者のスタミナに転移する CryomancersContract 冷術師の契約 75 AbsoluteZero アブソリュートゼロ By focusing your studies on the destructive power of ice and ignoring other energy patterns, your single-minded focus results in unequalled frost magic. 未取得の炎・雷撃系Perkの数に応じて雷撃呪文の性能が上昇する Conflagration 大火 70 StudiesExpertDestruction 学問 熟練者の破壊術 Even once exhausted, the embers of your fire magic continue to surge, bursting from the incinerated corpses of your foes. 炎呪文で死ぬ対象の半径15フィート内に炎が広がる RagingInferno 火炎地獄 85 Conflagration 大火 Your passion for fire has reached an unparalleled zenith. Flames now crackle and cavort at your command, multiplying as they rush to embrace your target.弾道系炎呪文が威力が下がる代わりに連射性が高まる PyromancersContract 火炎術師の契約 75 Conflagration 大火 By focusing your studies on the destructive power of flames and ignoring other energy patterns, your single-minded focus results in unequalled fire magic.未取得の冷気・雷撃系Perkの数に応じて炎呪文の性能が上昇する ArcaneConduit 魔力の依代 70 StudiesExpertDestruction 学問 熟練者の破壊術 Lightning can be a mage s best friend and worst enemy. Your familiarity with shock energy gives you the know-how to neuter the mental faculties of rival casters. 雷撃呪文のマジカに与えるダメージが上昇する Capacitance キャパシタンス 85 ArcaneConduit 魔力の依代 With lightning at your fingertips, the energy supercharges your mind and body, improving both your concentration and agility. 装備している雷撃呪文ごとに、マジカ回復速度と移動速度が上昇する ElectromancersContract 電極術師の契約 75 ArcaneConduit 魔力の依代 By focusing your studies on the destructive power of lightning and ignoring other energy patterns, your single-minded focus results in unequalled shock magic.未取得の冷気・炎系Perkの数に応じて雷撃呪文の性能が上昇する Geomancy0 風水術 50 StudiesAdeptDestruction 学問 精鋭の破壊術 The mathematical relationships between geometry and spellcraft give you new insights, extending your reach and control when crafting runes. 魔法の罠の設置数が3に増える。また飛距離も伸びる Geomancy1 風水術 80 ↑ Impossibly complex magical equations empower your mind. Your mastery of this esoteric knowledge makes runecraft child s play, as you litter the battlefield with destructive sigils.魔法の罠の設置数が4に増える。また飛距離も更に伸びる FocusTheSiegeMage フォーカス 魔術師の包囲 95 StudiesMasterDestruction 学問 達人の破壊術 The final art of the battlemage. With supreme effort, you channel the very power of gravity to supercharge every spell you cast, hurling spells from each hand that hit harder than the best efforts of any mage on Nirn.切換可能な力、シージモードを使えるようになる。マジカの残量に応じて破壊魔法が増強される FocusTheElementalist フォーカス 元素使い 95 StudiesMasterDestruction 学問 達人の破壊術 The final art of the elemental master mage. Your spells feed off of each other, preying on your foe s weaknesses like living predators; your combined magical abilities manifest in an energy storm of legendary power and chaos.冷気呪文は対象の雷撃耐性を5秒間低下させる。雷撃呪文は対象の炎耐性を5秒間低下させる。炎呪文は対象の冷気耐性を5秒間低下させる。この効果は重複しない。またヘヴンラプスの呪文を修得する
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Why we need cryonics? (Title) A turning point in human history (Article) Cryonics preservation technology is incomplete. However, I expect that preservation technology will be complete after 2040. If cryonics does not damage cells when preserving patients, it may be safe to resuscitate in the future. Completion of preservation technology is a major invention. This is a major turning point in human history. So now it makes sense to prepare for the future use of cryonics. ●●● (Title) Mankind needs cryonics until 30 years later. (Article) In the near future, human technology will evolve, and humanity will be able to create eyes, feet, and organs. I predict that by 2035, humankind will be able to make human organs. But even if I create an organ and replace it with a new one, I can only extend my lifespan by 10-30years. We must not be illusioned.. Because human beings are made of many cells. Our body is not only an organ. Since cells also deteriorate, we cannot avoid dying. I think. Medical technology will not be able to achieve immortality until around 2060. Even if we make organs, we cannot become immortal. So cryonics technology is needed until ~2060. We do not seek short happiness, but eternal life, happiness, peace and love. I simulate. Suppose a man saved $ 50,000. If he pays $ 50,000 for an organ exchange in the future, his money will disappear. He cannot do cryonics in the future. Also, if his other organs are damaged, he will have to pay another fee to create a new organ. Our money is limited. So I don t make organs. I can buy it but, I do not buy it.Don t move my money to do cryonics. The disadvantage of cryonics is that the cells are destroyed when frozen. But technology is evolving. I think humanity will overcome this within 15 years. The invention of freezing that does not damage cells is the most important invention in human history. This is a major turning point for humanity. Cryonics is still important for humanity. ●●● (Title) Technology evolves very fast. (Article) We are destined to age and die. But if medical evolution is in time, we will be saved. By the way, the first mobile phone of mankind appeared 30 years ago. At that time, mobile phones could only make calls. However, today s mobile phones are like personal computers. In just 30 years, no one has ever predicted that a mobile phone will evolve. Not only mobile phones but also medicine, technology, everything evolves at a tremendous speed. The future is always beyond our expectations. Human civilization developed rapidly after inventing the language. The invention of words has become a turning point in human civilization. After words, the invention of artificial intelligence is the turning point. Artificial intelligence rapidly completes and ends civilization. Great inventions, which humans could only do once every 100 years, can be invented once every 10 years, once a year, and once an hour. The intervals are shorter and we are surprisingly faster.. The future is always evolving faster than we can imagine.Of course, the patient s revival from Cryoncs will be fast. We have the potential. So we must not give up. The future is not decided. Our future is something we make on our own. Let s try to expand our future possibilities. ●●● (Title) Cryonics that protect us from reincarnation risk. (Article) There is a risk for us to die. Suicide does not solve the current suffering. We may not die even if we die. What happens when I die?Will I disappear all? Or go to heaven? Or will I be reborn? We don t know what will happen. When I die, my memory is erased and I can t meet my family and friends again. If everything goes away, there is no problem. But if I am reborn again, there may be various difficulties. I was born on Earth or another planet, and all my memories are erased. In fact, we don t have an old memory now. I can t remember where I was before I was born. Where will I be next time I wake up? Am I a human or a fish or an insect? Is the planet I live in peaceful? Or it may be during the war. This suffering of ours may continue when we are reborn after death. So I do cryonics. It s a miracle that I exist. It is a miracle that I was born as a human. I want to keep this miracle. We do not want to lose this miracle moment. I want to see my family and friends again after 200 years. ●●● (title) Strange people (article) People ask me strange questions. They say that if we cryonics the patient, freezing will destroy the cells and prevent them from being revived in the future. Does a patient who has died resuscitate? I think these are strange questions. I don t think anyone should answer this question. Because this is a problem for all of us. This is the problem we need to solve together. They want to call cryonics impossible. I think it is a big mistake. We live to make the impossible possible. This is the significance of our existence. It s very stupid that they ask those who are striving. Those who ask this question are bystanders. What happens if they can prove that cryonics are impossible? Will technology evolve? Can they save the lives of cryonic patients? I think so. They won t move if their homes are burnt. We a bucket and water to put out the fire when our home gets burned. We move desperately We move anyway. There is no reason here. It is the same as this. If we don t try, there will be no result. If we don t try, nothing changes and doesn t move. We continue to try it now, 100 years, and 200 years later. I will not stop trying. Until the result comes out. Until our heart stops. What we try is proof that we are alive. This is the answer. ●●● (title) Compare caries and cryonics. (article) People treat tooth decay, but why are they afraid of cryonics? When we have a tooth decay, we use anesthesia and machines to treat it artificially. We don t think we re destined to be caries. We do not think that God made our teeth decayed. If we do not treat tooth decay, our pain will grow. We can no longer eat and eventually die. I was seriously decayed and could now die at the age of 35. This is the end of my life. But I did not die after treating my teeth. I think that treating people with tooth decay is an artificial extension of life. I think that treating people with tooth decay is an artificial extension of life. So it is contradictory for the masses to fear cryonics. Did our teeth become decayed because God decided? So, if we treat caries, have we gone against God s decision? What is the difference between caries and death? Perhaps that borderline was just created by mankind himself. It may be a human delusion. I think it is very contradictory. All life on earth lives to live.Similarly, we humans should live to live. We do cryonics to live. It is not a sin that we try to live. Neither treatment of caries nor cryonics is sin. ●●● (Title) The right requirements for you to do cryonics. (Article) Cryonics is advantageous if you are in the late age to freeze you. Which do you think is better if you die in 2020 or if you die in 2050? The answer is 2050. The reason is that 2050 is more advanced than 2020 frozen storage technology. You are stored with new technology than now. Technology evolves without stopping. So you should live long, even one year. The later you revive, the better you will be. If you resuscitate in 2080, the technology is still incomplete. You have to die again. But if you get revived in 2200, the technology has evolved so much. You will not die again and will not bother. Also, as of 2050, if you have $ 50,000 or $ 200,000, which will make you live longer? If you prepare a lot of money, you have a lot of options. Saving money every day is important. In addition, the number of your friends is important. You have 100 better friends than 5 friends. If there are many people who love and help you, you can survive. They will help you in the future. These totals will greatly influence the probability of your survival in the future. Get ready for the future now. You must not regret in the future! ●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●●● なぜクラオニクスは必要なのか? Why we need cryonics? (Title) 人類の歴史の分岐点 A turning point in human history (Article) クライオニクスの保存技術は未完成です。しかし、私は2040年以降には保存技術が完成すると予想します。 Cryonics preservation technology is incomplete. However, I expect that preservation technology will be complete after 2040. もし、クライオニクスが患者様を保存する時に細胞を傷つけなければ、未来で安全に蘇生できるかもしれない。 If cryonics does not damage cells when preserving patients, it may be safe to resuscitate in the future. 保存の技術の完成は、大発明です。これは人類の歴史上、大きな分岐点なります。 Completion of preservation technology is a major invention. This is a major turning point in human history. だから今、私たちが将来にクライオニクスを使うための準備をすることに、意義がある。 So now it makes sense to prepare for the future use of cryonics. ●●● (Title) 人類は30年後まで、クライオニクスが必要だ。 Mankind needs cryonics until 30 years later. (Article) 人類は近い将来、医療技術は進化し、人類は目、足、臓器を作りだすことができます。 In the near future, human technology will evolve, and humanity will be able to create eyes, feet, and organs. 私は2035年までに、人類は人間の臓器を作ることができると予測しています。 I predict that by 2035, humankind will be able to make human organs. しかし、私が臓器を作り、新しい臓器と交換した場合ですら、私は寿命を10〜30しか延長することはできません。私たちは錯覚してはいけません。 But even if I create an organ and replace it with a new one, I can only extend my lifespan by 10-30. We must not be illusioned.. なぜなら人間は多くの細胞でできているからです。 私たちの体は臓器だけではありません。 Because human beings are made of many cells. Our body is not only an organ. 細胞も劣化するため、私たちが死ぬことは避けられません。 Since cells also deteriorate, we cannot avoid dying. 私は考えます。 医療技術は2060年頃まで不老不死を実現できないだろう。 I think. Medical technology will not be able to achieve immortality until around 2060. 私たちが臓器を作ったとしても、不老不死になることはできません。そのため、〜2060年までクライオニクス技術が必要です。 Even if we make organs, we cannot become immortal. So cryonics technology is needed until ~2060. 私たちは短い幸福を求めず、永遠の命、幸福、平和と愛をを求めます。 We do not seek short happiness, but eternal life, happiness, peace and love. 私は予想します I simulate. 男性が5万ドルのお金を蓄えたとします。 彼が将来、臓器を5万ドル払い交換すると、彼のお金は消えます。彼は将来クライオニクスを行うことはできません。 Suppose a man saved $ 50,000. If he pays $ 50,000 for an organ exchange in the future, his money will disappear. He cannot do cryonics in the future. また、彼の他の臓器が傷ついた場合、新しい臓器を作成するために彼は別の費用を支払う必要があります。 私たちのお金は限られています。 Also, if his other organs are damaged, he will have to pay another fee to create a new organ. Our money is limited. だから私は臓器を作りません。 私はそれを買うことができますが、私はそれを買いません。クライオニクスをするために私はお金を動かさない。 So I don t make organs. I can buy it but, I do not buy it.Don t move my money to do cryonics. クライオニクスの欠点は、凍結すると細胞が破壊されることです。 The disadvantage of cryonics is that the cells are destroyed when frozen. しかし、技術は進化しています。 私は人類は15年以内にこれを克服すると思います。 But technology is evolving. I think humanity will overcome this within 15 years. 細胞を傷つけない凍結の発明は、人間の歴史の中で最も重要な発明です。 The invention of freezing that does not damage cells is the most important invention in human history. これは人類にとって大きな分岐点です。 This is a major turning point for humanity. クライオニクスはまだまだ人類にとって重要な役割があります。 Cryonics is still important for humanity. ●●● (Title) 技術が進化するスピードはとても速い Technology evolves very fast. (Article) 私たちの運命は、老化して死ぬことです。しかし、もし医学の進化が間に合うのなら、私たちは救われるでしょう。 We are destined to age and die. But if medical evolution is in time, we will be saved. ところで、人類の最初の携帯電話は30年前に登場しました。 By the way, the first mobile phone of mankind appeared 30 years ago. 当時の携帯電話は通話しかできませんでした。しかし、今の携帯電話はまるでパソコンです。 At that time, mobile phones could only make calls. However, today s mobile phones are like personal computers. わずか30年の間に、これまで携帯電話が進化すると誰も予測することはできませんでした。 In just 30 years, no one has ever predicted that a mobile phone will evolve. 携帯電話だけでなく、医学、技術、すべてが途方もない速度で進化しています。 Not only mobile phones but also medicine, technology, everything evolves at a tremendous speed. 未来の姿は、いつも私たちの予想を超えます。 The future is always beyond our expectations. 人類は言語を発明した後、文明が急速に発展しました。 Human civilization developed rapidly after inventing the language. 言葉の発明は、人類の文明の分岐点になりました。言葉の次に、人工知能の発明が分岐点になります。 人工知能が自ら考えて、沢山の発明を短時間でします。それが急速に文明を完成させて終わらせます。 The invention of words has become a turning point in human civilization. After words, the invention of artificial intelligence is the turning point. 人工知能が自ら考えて、沢山の発明を短時間でします。それが急速に文明を完成させて終わらせます。 Artificial intelligence rapidly completes and ends civilization. これまで100年に1回しかなかった素晴らしい発明は、10年に1回、1年に1回、1時間に1回発明することができます。 Great inventions, which humans could only do once every 100 years, can be invented once every 10 years, once a year, and once an hour. その間隔は短くなり、私たちが驚くほど速くなります。 The intervals are shorter and we are surprisingly faster.. 未来は常に、私たちが想定する以上のスピードで進化しています。 もちろん、患者様のCryoncsからの復活も速いでしょう。 The future is always evolving faster than we can imagine.Of course, the patient s revival from Cryoncs will be fast. 私たちには可能性がある。 We have the potential. だから、私たちは諦めてはいけません。 私たちの未来は決まっていません。 私たちの未来は私たちが自分で作るものです。 So we must not give up. The future is not decided. Our future is something we make on our own. さあ、私たちの未来の可能性を広げるために試みましょう。 Let s try to expand our future possibilities. ●●● (Title) 私たちを生まれ変わりのリスク守ってくれるクライオニクス。 Cryonics that protect us from reincarnation risk. (Article) 死にはリスクがあります。 There is a risk for us to die. 自殺は現在の苦しみを解決しません。私たちは死んでも終わらないかもしれません。 Suicide does not solve the current suffering. We may not die even if we die. 私たちは死ぬと何が起こりますか?私たちは消える?または天国に行きますか?それとも私は生まれ変わりますか? What happens when I die?Will I disappear all? Or go to heaven? Or will I be reborn? 私たちは何が起こるかわかりません。私が死ぬと、私の記憶は消去され、家族や友人と再会することはできません。 We don t know what will happen. When I die, my memory is erased and I can t meet my family and friends again. もし全てが消えるのなら、問題ありません。 If everything goes away, there is no problem. しかし、私が再び生まれ変わった場合、さまざまな困難があるかもしれません。 But if I am reborn again, there may be various difficulties. 私は地球や別の惑星で生まれ、私が今持っている記憶はすべて消されてしまいます。 I was born on Earth or another planet, and all my memories are erased. 実際、今では古い記憶はありません。私は生まれる前にどこにいたか思い出せません。 In fact, we don t have an old memory now. I can t remember where I was before I was born. 私たちが次に目を覚ますとき、どこに行きますか?私は人間ですか、魚ですか、昆虫ですか? Where will I be next time I wake up? Am I a human or a fish or an insect? 私が住んでいる惑星は平和ですか?またはそれは戦争中かもしれません。 Is the planet I live in peaceful? Or it may be during the war. 私たちのこの苦しみは、死後に生まれ変わった時も継続するかもしれません。 This suffering of ours may continue when we are reborn after death. だから私はクライオニクスを行います。私が存在するのは奇跡です。私が人間として生まれたのは奇跡でした。 So I do cryonics. It s a miracle that I exist. It is a miracle that I was born as a human. 私たちはこの奇跡を続けたい。この奇跡の瞬間を失いたくありません。 I want to keep this miracle. We do not want to lose this miracle moment. 私は200年後、また家族や友人に再び会いたいです。 I want to see my family and friends again after 200 years. ●●● (title) 奇妙な人々 Strange people (article) 人々は奇妙な質問を私にします。 People ask me strange questions. 彼らは、もし患者様をクライオニクスすれば、冷凍により細胞が壊れて、未来で蘇生することができないと私に言います。 They say that if we cryonics the patient, freezing will destroy the cells and prevent them from being revived in the future. 一度死んだ患者が生き返るのか? Does a patient who has died resuscitate? 私はこれらを奇妙な質問だと思います。 I think these are strange questions. 私は誰もこの質問には答えるべきでないと思います。 I don t think anyone should answer this question. なぜなら、これは私たちみんなの問題だからです。 Because this is a problem for all of us. これは、私たちがみんなで解決するべき問題です。 This is the problem we need to solve together. 彼らは、クライオニクスを不可能だと言いたい。 They want to call cryonics impossible. 私はそれは大きな間違いだと思います。 I think it is a big mistake. 私たちは不可能を、可能にするために生きている。 We live to make the impossible possible. これが私たちが存在する意義です。 This is the significance of our existence. 彼らが、努力している人にその質問をすることは非常に愚かです。 It s very stupid that they ask those who are striving. この質問をする人たちは、傍観者です。 Those who ask this question are bystanders. もし彼らがクライオニクスにより蘇生することが不可能だと証明できたとして、何が起こりますか? What happens if they can prove that cryonics are impossible? 技術は進化しますか? Will technology evolve? 彼らは、クライオニクスをした患者様の命を救うことはできますか? Can they save the lives of cryonic patients? 私は思います。彼らはもし自宅が焼けていても、動けないだろう。 I think so. They won t move if their homes are burnt. 私たちは家が焼けたら、バケツと水を使って火を消します。 We use a bucket and water to put out the fire when our home gets burned. 私たちは必死に、動く。 We move desperately 私たちはとにかく動く。 We move anyway. ここに理屈は必要ない。 There is no reason here. これと同じことです。 It is the same as this. 私たちは試みないと結果は生まれない。 If we don t try, there will be no result. 私たちが試みなければ、何も変えられないし、動かない。 If we don t try, nothing changes and doesn t move. 私たちは、今も、100年後も、200年後も試み続ける。 We continue to try it now, 100 years, and 200 years later. 私は試みを止めない。 I will not stop trying. 結果が出るまで。 Until the result comes out. 私たちの心臓が止まるまで。 Until our heart stops. 私たちが試みることは、私たちが生きていることの証だ。 What we try is proof that we are alive. それが答えだ。 This is the answer. ●●● (title) (提出済み) 虫歯とクライオニクスの比較 Compare caries and cryonics. (article) 人々は虫歯を治療するが、なぜクライオニクスを怖がるのか? People treat tooth decay, but why are they afraid of cryonics? 私たちは虫歯になると、麻酔や機械を使い、人工的にそれを治療します。 When we have a tooth decay, we use anesthesia and machines to treat it artificially. 私たちは、虫歯になったことを運命だと思いません。 We don t think we re destined to be caries. 私たちは神様が私たちの歯を虫歯にしたとも考えない。 We do not think that God made our teeth decayed. もし、私たちが虫歯を治療しなければ、私たちの痛みは大きくなる。 If we do not treat tooth decay, our pain will grow. 私たちは食べることができなくなれば、やがて死にます。 We can no longer eat and eventually die. 私は虫歯が深刻なり、今、35歳で死ぬかもしれなかった。 I was seriously decayed and could now die at the age of 35. これは、私の命が終わる時です。 This is the end of my life. しかし、私は歯を治療して死ななかった。 But I did not die after treating my teeth. 私は人々が虫歯の治療をすることは、人工的な延命だと思う。 I think that treating people with tooth decay is an artificial extension of life. 私は、虫歯の治療とクライオニクスの本質が同じだと思う。 I think that treating people with tooth decay is an artificial extension of life. だから、大衆の人々がクライオニクスを恐れるのは矛盾しています。 So it is contradictory for the masses to fear cryonics. 私たちの歯は、神様が決めたから虫歯になったのでしょうか? Did our teeth become decayed because God decided? では、もし私たちが虫歯を治療したら、私たちは神様の決断に逆らったことになりますか? So, if we treat caries, have we gone against God s decision? 虫歯と死の違いは何でしょうか? What is the difference between caries and death? もしかすると、その境界線は、人類が自ら作っただけなのかもしれない。 Perhaps that borderline was just created by mankind himself. 人類がした妄想のかもしれない。 It may be a human delusion. 私はとても矛盾していると思います。 I think it is very contradictory. 全ての地球の生物は生きるために生きる。私たち人類も、生きるために生きる。 All life on earth lives to live.Similarly, we humans should live to live. 私たちは生きるためにクライオニクスをする。 We do cryonics to live. 私たちが生きようとすることは罪ではありません。 It is not a sin that we try to live. 虫歯の治療も、クライオニクスも罪ではありません。 Neither treatment of caries nor cryonics is sin. ●●● (Title) あなたがクライオニクスをするのに適切な要件 The right requirements for you to do cryonics. (Article) クライオニクスは、あなたを冷凍保存する年代が遅いと有利になります。 Cryonics is advantageous if you are in the late age to freeze you. あなたは、2020年に死ぬ場合と、2050年に死ぬ場合、どちらが有利だと思いますか? Which do you think is better if you die in 2020 or if you die in 2050? 答えは2050年です。理由は、2020年の冷凍保存技術よりも、2050年の方が進化しているからです。あなたは今よりも、新しい技術で保管されます。 The answer is 2050. The reason is that 2050 is more advanced than 2020 frozen storage technology. You are stored with new technology than now. 技術は止まることなく進化します。 Technology evolves without stopping. だから、あなたは一年でも長く、長生きするべきです。 So you should live long, even one year. あなたが蘇生する時代が、遅ければあなたは有利になります。 The later you revive, the better you will be. もし、あなたが2080年に蘇生すると、まだ技術は未完成です。あなたは再び死ななければいけません。 If you resuscitate in 2080, the technology is still incomplete. You have to die again. しかし、もしあなたが2200年に蘇生すれば、技術はとても進化しています。あなたは再び死なないし、困らない。 But if you get revived in 2200, the technology has evolved so much. You will not die again and will not bother. また、あなたが2050年の時点で、50,000ドル持っている場合と200,000ドルを持っている場合、どちらがあなたが長生きできるでしょうか? Also, as of 2050, if you have $ 50,000 or $ 200,000, which will make you live longer? あなたが沢山のお金を準備すれば、あなたは沢山の手段を選べる。毎日のお金の貯金は需要だ。 If you prepare a lot of money, you have a lot of options. Saving money every day is important. さらに、あなたの友人の数が重要です。 In addition, the number of your friends is important. あなたは、あなたの友達が、5人より100人の方が良い。 You have 100 better friends than 5 friends. あなたを愛し、助けてくれる人が沢山いれば、あなたは生き残るとができます。彼らは将来、あなたを助けてくれます。 If there are many people who love and help you, you can survive. They will help you in the future. これらの総合計点が、未来のあなたが生存できる確率に大きく影響します。 These totals will greatly influence the probability of your survival in the future. 今、未来に備えて準備をしましょう。あなたが未来で後悔しないために! Get ready for the future now. You must not regret in the future!
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It s a big, wooden...crossbow, I guess. I wonder who built it and what it s for. It s a wooden crossbow. According to Wick, it s a lunar cannon. Apparently, it s powerful enough to send a Stickman to the moon. Oh, sure. In a Jules Verne novel, perhaps. It s the Stickmen s lunar cannon. If I could somehow get across to that path on the other side, I d probably be able to make my way into the Alatien village. It s a conveniently located dead tree with lots of thick branches. If I could get a rope across, I might be able to climb to the other side. It s a conveniently located dead tree. Wick s busy working on the cannon. It s Stickman Wick. It s Stickman Woody. It s Stickman Willow. It s a long way across, but if I take my time and don t look down... I should be able to make it. Fortune has smiled on me lately, so let s hope she keeps smiling until I m safely across. Hey, this is going pretty good, actually! It s like being in boot camp. Without a hook, shooting the rope across will be pretty futile. Besides, the cannon isn t even ready yet. The cannon isn t ready yet. Without a hook, there s not much point in shooting the rope across. It s not gonna tie itself to the tree. I ll just place the hook along the bowstring, like so... ...and let the rope trail behind it. Okay. We re ready to fire! Cool. I d better show it to Wick first, or he ll freak out. After all, he s the, uh, supervisor. Shut up, you middle child! Take this up your arse! Eat twig, conehead! Can you use this as bowstring for your, uh, lunar cannon? Why you little--! All right, listen up! I got us what we need, and now we finish this damn cannon! Go to work, people! Give us a few minutes, lady, and we ll be all done. Of course it worked, you woodbrained fool! I built it! Propulsion drive mechanism, Wick. String made from animal guts would be perfect. I d be happy to talk to you later, but I got some fine tuning to do before I m done. Yup, the cannon is done. Duh...I feel like sleeping for a year or two... Ow... Lemme see that... Oh yeah, that gonna work good. I thought it would... My, duh, calculations were pretty precise... Yeah, but look at us -- do we look like the kinda Stickmen who d make good hunters? Do you see me going after a gaintbeast carrying, what, a cone? A dry leaf sharpened to a razor edge? Can t talk...busy... Hey, all done! And Wick did absolutely nothing, as usual, aside from shouting a lot and kicking mine and Woody s arse. All done! Quit it, Wick! You sick stick! It worked! How s it going? Almost there. Oh, one tiny little problem, though. And that is...? How s it going? Nah, we re missing a bowstring. Can t finish the job without it. We don t have a bowstring for our...uh... Are you done? Yes, ma am. The lunar cannon is now ready to be tested. Well...? Well what? Are you going to do it? Do what? Test the cannon. Me? And get myself killed? I think not. But go ahead, be my guest. I don t think I ll fit in there. That ain t my problem. Can I test the cannon? Be my guest. Uh, what he said, yeah. We need a bowstring -- something strong, and flexible, and sinewy. Like what? I dunno, lady. I m no engineer. I m just the supervisor.
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http //www.pleasureaddiction.com/ http //www.myspace.com/pleasureaddiction Olive - Vocals Anthony – Guitar Baby – Rhythm Guitar Stuffy – Bass Antoine - Drums Pleasure Addiction Pleasure Addiction 2007年 1. Dance With The Devil With Me ? 2. My Superstar 3. Shout It Out 4. Saturday Nite